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Lot 1103: Benjamin Keach THE TRAVELS OF TRUE GODLINESS 1811 Antique English Baptist Theology 16mo Frontispiece Portrait Textual Engravings

Books, Art and Ephemera - Canada, Egypt, Polar, West, etc.

by National Book Auctions

22 October 2016

Freeville, NY, USA

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  • Benjamin Keach THE TRAVELS OF TRUE GODLINESS 1811 Antique English Baptist Theology 16mo Frontispiece Portrait Textual Engravings
  • Benjamin Keach THE TRAVELS OF TRUE GODLINESS 1811 Antique English Baptist Theology 16mo Frontispiece Portrait Textual Engravings
  • Benjamin Keach THE TRAVELS OF TRUE GODLINESS 1811 Antique English Baptist Theology 16mo Frontispiece Portrait Textual Engravings
  • Benjamin Keach THE TRAVELS OF TRUE GODLINESS 1811 Antique English Baptist Theology 16mo Frontispiece Portrait Textual Engravings
  • Benjamin Keach THE TRAVELS OF TRUE GODLINESS 1811 Antique English Baptist Theology 16mo Frontispiece Portrait Textual Engravings
   
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Description:
Title: The Travels of True Godliness: from the Beginning of the World to This Present Day. In an Apt and Pleasing Allegory. Shewing What True Godliness Is, Also the Troubles, Oppositions, Reproaches, and Persecutions, He Hath Met with in Every Age. Together with the Danger and Sad Declining State He Is in at This Present Time, by Errors, Heresies and Ungodliness, or Open Prophaneness.
Author: Benjamin Keach - Benjamin Keach was a Particular Baptist preacher in London whose name was given to Keach's Catechism.
Publisher: Published by John Tiebout
City: New York
Year: 1811
Binding Style: Hardcover
Pagination: 144 pages
Width: 3.5" Height: 5.5"
Book Details: Benjamin Keach (1640-1704): important Particular Baptist preacher, author, and ardent defender of Baptist principles. Often in prison and frequently in danger for preaching the Gospel, he was the first to introduce singing hymns in the worship of English congregations. This work was very popular during the 18th and 19th centuries.
Condition / Notes: This antique 16mo volume has plain paper-covered boards, leather remaining on the front fore-edge corner, and a leather backstrip. The front board is separated, with heavy rubbing, chipping, toning, and moisture marking to the exterior. The text block is solid. The frontispiece portrait engraving depicts Keach. The pages show moderate to heavy age toning and scattered foxing and moisture marking. The work includes several textual engravings.

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