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Lot 11: EDVARD MUNCH | Angst (Woll 63; Schiefler 61)

Prints & Multiples

by Sotheby's

27 October 2016

New York, NY, USA

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Edvard Munch (1863-1944) Please Register/Login to access your Invaluable Alerts

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Description: Lithograph printed in red and black, 1896, signed in pencil, numbered 50, from the edition of 100 included in Ambroise Vollard's Album des Peintres-Graveurs, printed by Clot, on cream wove paper, framed

Condition Report: The print is in good condition, with margins. Three repaired tears at left edge, one extending 1.5 inches into the image at lower left, the other two in the margin. A small unrepaired tear in the upper margin at center. A tiny nick in the sheet at upper left between black and red ink. A few pale water stains and creases. One soft diagonal crease through the lower left part of the image. Faint mat-stain, and some small losses in the upper right corner and upper right margin. A few miniscule fox marks in the image. The verso with some skin spots at extreme edges. Lower left margin corner reinforced.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Provenance: Ex coll. Peter Morse, with his collector's stamp (Lugt 4320) on the verso. Peter Morse (1935-1993) was a 20th century art historian, well known for his catalogue raisonné of John Sloan's graphic works, published in 1969. Morse also wrote extensively on Hokusai and Jean Charlot, and published The Illustrated Barsch. He was an avid collector of Daumier and Japanese prints, and his impression of Rembrandt's The Beheading of Saint John the Baptist (Bartsch 93) hangs in the Snite Museum of Art. It is most likely that this is the first known print by Munch in Morse's collection.

EXHIBITED

Princeton, Princeton University Art Museum, Edvard Munch: Symbolism in Print, 2014

Dimensions: image: 412 by 385 mm 16 1/4 by 15 1/8 in

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