WELCOME TO INVALUABLE
Be the first to know about
the latest online auctions.
Please enter a valid email address (name@host.com)
Sign Up »
PS: We value your privacy
Thank you!
 
 
Want to learn more
about online auctions?
Take a Quick Tour »
 
Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations.
Show translation options
Sold
Looking for the realised and estimated price?

Description: oil on canvas

Condition Report: Oil on canvas. Canvas is not lined (a piece of protective cardboard sits behind the canvas and inside the stretcher). SURFACE: in good condition and appears to be in original, unvarnished state; a few minor scattered areas of faint craquelure. UNDER UV: NO apparent inpainting, there are a few areas of still active pigment.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Provenance: Macbeth Gallery, New York, 1921
Walter H. Schulze Memorial Collection
Acquired as a gift from the above, 1930

Dimensions: 29 by 27 inches

Exhibited: The Art Club of Philadelphia, Exhibition of Oil Paintings by Lilian Westcott Hale, Emil Carlsen, and Charles H. Davis, 1923, no. 11
New York, The Macbeth Gallery, Recent Paintings by Emil Carlsen, N.A., 1921
Art Institute of Chicago, Century of Progress: Exhibition of Paintings and Sculpture, 1933, no. 436, p. 60, illustrated
Storrs, Connecticut, William Benton Museum of Art, Connecticut and American Impressionism, 1980, no. 6, pp. 56, 63, illustrated

Literature: “The Walter H. Schulze Memorial,” Bulletin of the Art Institute of Chicago 24, 1930, p. 79
“Emil Carlsen,” Bulletin of the Art Institute of Chicago 26, 1932, p. 35
Art Institute of Chicago, Guide to the Paintings in the Permanent Collection, 1932, p. 145
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 67
Donelson F. Hoopes, The American Impressionists, New York, 1972, pp. 7, 110–11, illustrated
Emil Carlsen (1853-1932) As Landscape Painter: A Chronological Introduction to Some of the Major Works and Their Critical Reception, 1997
Kim Lykke Jensen, Soren Emil Carlsen: The Hammershoi of Manhattan, Gylling, Denmark, 2008, fig. 55, p. 73, illustrated

Medium: oil on canvas

Lot title
$0 (starting bid)
Lot title
$0 (starting bid)
Lot title
$0 (starting bid)
 
Lot title
$0 (starting bid)
Lot title
$0 (starting bid)
Lot title
$0 (starting bid)
 
Lot title
$0 (starting bid)
Lot title
$0 (starting bid)
Lot title
$0 (starting bid)