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Auction Description for Sotheby's: Prints & Multiples

Prints & Multiples (306 Lots)

by Sotheby's


306 lots with images

28 October 2016

Live Auction

New York, NY, USA

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GUSTAVE BAUMANN | Road of a Morning

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Description: Woodcut printed in colors, circa 1918, signed in pencil and with the artist's orange stamp, titled, numbered '88 of 100', on buff fibrous wove paper, framed

Condition Report: The print is in good condition, with large margins. Light-stain. Faint discoloration and a few pale stains in the margins. The verso with offprint.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GUSTAVE BAUMANN | Mountain Gold

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Description: Woodcut printed in colors, circa 1946, signed in pencil and with the artist's orange stamp, titled, numbered '111 of 125', on buff fibrous wove paper, framed

Condition Report: The print is in good condition, with large margins. Faint light-stain. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGE BELLOWS | Preliminaries (Mason 24)

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Description: Lithograph, 1916, inscribed in pencil with the artist's name and initialed by his daughter 'J.B.B.', numbered 52, from the edition of 67, on Japan paper, framed

Condition Report: The print is in good condition, with full margins. Pale mat-stain in margins with a few miniscule fox marks. A 1.5 inch diagonal loss at upper right corner. Remnants of previous hinge tape adhered to upper left and right corners. A diagonal printer's crease in the image at upper left. A two inch faint horizontal abrasion to the sheet at upper center edge, visible under raking light. The verso in good condition, with a pencil mark behind the aforementioned printer's crease and faint areas of surface dirt in the margins.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGE BELLOWS | Introducing John L. Sullivan (M. 27)

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Description: Lithograph, 1916, inscribed in pencil with the artist's name and initialed by his daughter 'J.B.B.', from the edition of 54, on wove paper, framed

Condition Report: The print is in good condition, with margins. A slight undulation in the sheet. A small 1/2 inch tear in the upper margin at center. Very slight creasing in the margin corners. A nick in the lower left margin. The verso in good condition with small spots of printers ink and some soiling. Traces of prior hinging in the upper corners.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGE BELLOWS | Tennis (M. 71)

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Description: Lithograph, 1920, signed in pencil, titled, also signed by the printer, Bolton Brown, and inscribed 'imp', from the edition of 63, on chine appliqué on a cream wove support, framed 

Condition Report: The print is in good condition, with large margins. The support discolored and with masking tape stains in the edges. The verso with backboard stain with a few spots of discoloration.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGE BELLOWS | The Tournament (M. 72)

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Description: Lithograph, 1920, signed in pencil, also signed by the printer, Bolton Brown, and inscribed 'imp', titled, from the edition of 63, on wove paper, framed

Condition Report: The print is in good condition, with margins. Unobtrusive, horizontal creasing in the bottom third of the sheet, most apparent in raking light. A skillfully repaired tear in the left sheet edge at top. An inconspicuous crease in the bottom right corner.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGE BELLOWS | Business-Men's Bath (M. 145)

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Description: Lithograph, 1923, signed in pencil, titled, also signed by the printer, Bolton Brown, and inscribed 'imp', from the edition of 43, on cream wove paper, framed

Condition Report: The print is in generally good condition, with margins (unevenly trimmed). Remnants of clear tape at all four sheet edges from previous hinging. Extremely faint mat-stain in the margins. Four faint skinned spots at center sheet edges from previous hinging. The verso in good condition with faint mat stain.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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THOMAS HART BENTON | Cradling Wheat (Fath 27)

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Description: Lithograph, 1939, signed in pencil, from the edition of 250, on wove paper, published by Associated American Artists, New York, framed

Condition Report: The print is in good condition, with full margins. Two old masking tape hinges, showing through, one at upper center, one at upper right center. Very faint mat-stain.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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THOMAS HART BENTON | Slow Train Through Arkansas (F. 46)

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Description: Lithograph, 1941, signed in pencil, from the edition of 250, on wove paper, circulated by Associated American Artists, New York City, framed

Condition Report: The print is in good condition, with full margins. Extremely faint mat-stain in the margins with a few scattered fox marks. A few tiny fox marks in the image. Two small remnants of previous hinging tape at upper left and right corners. A small vertical crease in the extreme lower right corner. The verso in good condition. Extremely faintly toned with a few scattered fox marks.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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THOMAS HART BENTON | Morning Train (Soldier's Farewell) (F. 58)

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Description: Lithograph, 1953, signed in pencil, from the edition of 250, on wove paper, published by Associated American Artists, New York, framed

Condition Report: The print is in generally condition, with full margins. Tape and glue stains mainly in the upper margin. Faint light-stain. The verso with tape stains and associated skin spots in the edges.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARY CASSATT | The Mandolin Player (Breeskin 130)

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Description: Drypoint, circa 1889, signed in pencil, with the artist's blue monogram stamp (Lugt 604), on laid paper, framed

Condition Report: The print is in generally good condition. Mat- and light-stain in the margins of the sheet, and a few miniscule spots of foxing scattered throughout. There may be one minor loss in the upper right corner of the sheet. Some surface dirt around the edges. The verso in good condition with a few miniscule fox marks and surface dirt.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARY CASSATT | Reine and Margot Seated on a Sofa (No. 2) (B. 177)

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Description: Drypoint, circa 1902, signed in pencil, inscribed 'No 15' (?), from the numbered edition of 25, on laid paper with the A. PORCABEUF watermark, framed

Condition Report: Mottled discoloration throughout, recto and verso. A repaired loss approximately 1 inch across and 2 inches high at right sheet edge. A few other smaller repairs in the edges. Small tears and foxing, mainly in the edges.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDWARD HOPPER | A Corner (Zigrosser 5; Levin 60)

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Description: Etching, 1919, signed in pencil, signed again on the verso, titled, inscribed 'III Wash. Sq. N. New York etching $5', on wove paper, framed

Condition Report: The print is in good condition, with large margins. Faint mat-stain and minor soiling in the margins. A small filled in repair in the right sheet edge. The verso with some pale staining. Remains of hinging in the upper edge, repaired. Very slightly unevenly trimmed.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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EDWARD HOPPER | Night Shadows (L. 82)

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Description: Etching, 1921, signed in pencil, on wove paper, framed

Condition Report: The signature is smudged. The margins with traces of surface spoiling, discoloration and a few small fox marks. Each of the corners with made up losses. The verso with extensive discoloration darkest at upper sheet edge and numerous fox marks throughout.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARTIN LEWIS | Chance Meeting (McCarron 131)

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Description: Drypoint, 1940-41, signed in pencil, from the recorded edition of 105, on laid paper, framed

Condition Report: With margins. Adhesive from front mat adhered to recto in margins. Faint mat-stain. The sheet is laid down, verso not visible.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARTIN LEWIS | Little Penthouse (M. 91)

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Description: Drypoint, 1931, signed in pencil, inscribed 'imp', also inscribed '3rd trial proof', one of 84 recorded impressions, on wove paper, framed

Condition Report: The print is in good condition with large margins. A small semi-circular stain in the lower margin at left. Faint mat-stain. A few specks of foxing. A few tiny discolored paper fibers.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARTIN LEWIS | Winter on White Street (M. 110)

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Description: Drypoint and sand ground, 1934, signed in pencil, one of 41 recorded impressions (including four trial proofs), on wove paper, framed

Condition Report: The print is in good condition, with large margins. Faint light-stain. Some soiling in the left sheet edge. A few rust flecks and traces of printer's ink in the margins. An occasional tiny fox mark, one in the image at lower left. The verso with remains of old hinges and related tape stains. Minor skinning in the upper corners.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JOHN SLOAN | New York City Life (Morse 127-135, 137, 138, 150, 152, 153)

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Description: Thirteen etchings, 1905-11, each signed in pencil, on various papers, 10 are titled and 11 are inscribed '100 proofs', some are annotated with the printer's name, together with a prospectus issued by the artist to promote the set, framed (13 prints) Including:  Connoisseurs of Prints (M. 127)Fifth Avenue Critics (M. 128)The Show Case (M. 129)Man Monkey (M. 130)Fun, One Cent (M. 131)Women's Page (M. 132)Turning Out the Light (M. 134)Man, Wife and Child (M. 135)Roofs, Summer Night (M. 137)The Little Bride (M. 138)Girl and Beggar (M. 150)Night Windows (M. 152)Picture Buyer (M. 153)

Condition Report: the prints are in good condition overall. Each sheet discolored by exposure to light and/or an acidic mat. Occasional fox marks and tack holes. Conditions of the individual prints are as follows: Connoisseur of Prints (M. 127): Light-stain darkest at mat opening, tack holes along sheet edges, the margins and verso with a few smudges and soiling, remains of prior hinging at upper sheet corner verso. Fifth Avenue Critics (M. 128): Pale light- and mat-stain, a fox mark in the lower margin and remains of prior hinging at sheet edges verso. Show Case (M. 129): The margins with light-stain and foxing. A small puncture in lower margin. An adhesive stain at upper left sheet verso showing through to the recto. Man Monkey (M. 130): Pale mat-stain and a fox mark in the margin at right. Fun, One Cent (M. 131): The margins with extensive discoloration, darkest at the bevel of the mat. Five fox marks in the upper margin. The verso with adhesive discoloration showing through to the recto at top. A small repair at upper sheet edge. Women's Page (M. 132): Margins with pale mat-stain and a surface smudge at right. Pale fox mark at upper sheet edge verso. Turning Out the Light (M. 134): The margins with discoloration, darkest at the mat opening Man, Wife and Child (M. 135): The margins with discoloration darkest at the mat opening, damp-stains at top and a small repair in the upper left corner Roofs, Summer Night (M. 137): With extensive discoloration caused by light and numerous mat-stains. Scattered foxing. Two adhesive stains verso, not showing through to the recto. Small loss in top right corner. The Little Bride (M. 138): Pale mat-stain in the margins. The upper sheet corners with adhesive discoloration on the verso and minor puckering. Girl and Beggar (M. 150): Mat-stain darkest at the bevel and 9 tack holes near the sheet edges. Night Windows (M. 152): With light-stain darkest at the mat opening and 18 tack holes at edges. Picture Buyer (M. 153): Paper tone darkened throughout with additional discoloration caused by exposure to light. A couple of hard creases in lower margin, breaking through in two places. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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JOHN SLOAN | Memory (M. 136)

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Description: Etching, 1906, signed in pencil, titled, inscribed with the initials of the sitters, also inscribed '100 proofs' (from the total edition of 110), on laid paper, framed

Condition Report: The print is in generally good condition, with full margins. Light- and mat-stain. Tack holes in the outer margins for drying. The verso with discoloration and an old tape stain in the upper margin.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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RAPHAEL SOYER | The Mission (Cole 27)

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Description: Lithograph, 1933, signed in pencil, titled, from the edition of 25, on BFK Rives wove paper, framed

Condition Report: The print is in good condition, with large margins. A 2 1/4 inch repaired tear in the lower margin. Two smaller repaired tears in the left margin corner. Two faint stains in the background of the image at left above the hand. Slight mat-stain. Small hinge-stain in the upper left margin corner. Some small paper losses in three corners and in the upper sheet edge.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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RUFINO TAMAYO | Personaje en blanco, Hombre con sombrero <em>and</em> Dos cabezas (Fundación Olga y Rufino Tamayo 170, 175, 184)

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Description: Three etchings printed in colors, each signed in black crayon, the first two inscribed 'HC', one of ten hors commerce aside from the numbered edition of 75, the third numbered 25/75 (total edition includes 10 in Roman numerals), from the series of 15 etchings, on Guarro paper, printed and published by Ediciones Poligrafa, Barcelona, framed (3 prints)

Condition Report: The prints are in good condition, the full sheets. Colors are fresh. 'Hombre con sombrero' with two vertical abrasions at upper center sheet edge, and (possibly) two small diagonal abrasions in the brim of the figure's hat at right. The versos in good condition, partially examined.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GRANT WOOD | Family Doctor (Cole 179)

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Description: Lithograph, 1941, signed in pencil, titled, from the edition of 300, on wove paper, printed by George C. Miller, published by Abbott Labratories, Chicago, framed

Condition Report: The print is in good condition, with large margins, deckle below. Light-stain and faint mat-stain. A few fox marks, four in the subject. The verso in good condition, with foxing.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGES BRAQUE | Tête de jeune fille (Vallier 68)

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Description: Lithograph printed in black and blue with varnish, 1951, signed in pencil, numbered 16/39 (the '9' erased and rewritten), on Arches wove paper, printed by Maeght, Paris, published by Mourlot, Paris, framed

Condition Report: The print is in generally good condition, the full sheet printed nearly to the edges. A small loss in the lower right margin tip. The sheet is wavy due to the varnish, as is usual in this print. In general, the varnish is slightly smeared in the margins, again as usual. The verso with faint discoloration and varnish showing through.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGES BRAQUE | Oiseau marron I (Oiseau V) (V. 78)

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Description: Etching printed in bistre black, 1952, signed in pencil, numbered 8/15, on Auvergne a la main, printed by Signovert, Paris, published by Maeght, Paris, framed

Condition Report: The print is in good condition, with margins. Light- and mat-stain. The verso with brown paper tape around perimeter of image. Small tape stain in the upper right margin corner. Several inconspicuous printer's creases, visible mainly on the verso.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGES BRAQUE | Le char III (Char verni) (V. 98)

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Description: Lithograph printed in colors with varnish, 1955, signed in pencil, numbered 24/75, on Arches wove paper, printed by Mourlot, Paris, publisher by Maeght, Paris, framed

Condition Report: The print is in good condition, with margins. Mat- and light-stain. Three masking tape stains at sides and top. Sheet wavy due to varnish. A few tiny losses of varnish and abrasions in the image. Varnish showing through on the verso. According to Vallier, should measure 500 by 650 mm.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGES BRAQUE | Char Blanc (Char IV) (see V. 115)

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Description: Intaglio on plaster in brown, circa 1958, one of 12 in brown and 24 on plaster (aside from the edition of 75 on Rives), framed 

Condition Report: The work is in good condition. A few chips in the corners and edges (possibly inherent to the material). A few small indentations in the image, likely inherent to the plaster.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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GEORGES BRAQUE | L'Ordre des oiseaux (V. 182)

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Description: The complete set of 12 aquatints and etchings printed in colors (nine hors-texte, three en-texte), lacking the separate signed and numbered suite, text by Saint-Jean Perse, signed in ink on the justification by the artist and author, this copy numbered 'II', from the edition of 30 in Roman Numerals (aside from the Arabic numbered edition of 100 plus 20 copies hors commerce), on Richard de Bas paper, printed by Crommelynck, Paris, published by Au Vent d'Arles, Paris, bound (as issued) (12 prints)

Condition Report: The full sheets, bound in black leather with inset of dark purple silk with paper bird collage on front, and cloth covered slip case with some wear. The prints are in good condition. Offprint. A few sheets with minor creases in the deckle. Some sheets with pale fox marks, mainly on text pages.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Disrobing her with his own hand... (Mourlot 39)

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Description: Lithograph printed in colors, 1948, signed in pencil, annotated 'Pl. 4', numbered 16/90 (from the total edition of 111), plate four from Four Tales from the Arabian Nights, on laid paper, published by Pantheon, New York

Condition Report: The print is in good condition, with margins. Faint light-stain. A small loss in upper right corner. Some faint remnants of previous hinging at sheet edges on recto. One spot of surface soiling in upper left margin. A faint fox mark in lower left margin next to numbering. The verso in generally good condition with faint mat-stain and a horizontal line of adhesive from previous hinging. Scattered faint fox marks.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Man with Samovar (M. 4)

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Description: Lithograph with handcoloring, 1922-23, signed in pencil, dated 'Berlin 1922', one of two handcolored artist's proofs aside from the edition of 35, on laid paper, framed

Condition Report: The print is in generally good condition, with full margins. Traces of discoloration in the margins and faint mat-stain. Tiny tears and thin spots in the upper right corner margin where previously hinged. The verso with discoloration, slight skin spots from old hinges in the edges.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | When Abdullah got the net ashore... (M. 43)

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Description: Lithograph printed in colors, 1948, from the total edition of 111, plate eight from Four Tales from the Arabian nights, on laid paper, published by Pantheon, New York

Condition Report: The print is in good condition, with margins. Very faint light stain behind the image. A few traces of stray ink in margins. The verso in good condition, slightly toned with scattered specks of foxing. Four small remnants of previous hinging tape at center of each edge. Unframed.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | The Game (M. 439)

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Description: Lithograph printed in colors, 1966, signed in pencil, inscribed 'epreuve d'artiste VII/XXV', an artist's proof aside from the numbered edition of 50, on Arches wove paper, framed

Condition Report: The print is in good condition, with full margins. Faint mat- and light-stain. A few faint spots of soiling on the verso.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Le Baiser de Chloé (M. 316)

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Description: Lithograph printed in colors, 1961, signed in pencil, numbered 20/60 (aside from the book edition of 250), from Daphnis and Chloé, on Arches wove paper, published by Verve, Paris

Condition Report: The print is in good condition, with full margins. The margins are very slightly toned with a few miniscule and extremely faint fox marks. The verso in good condition, slightly discolored with extremely faint scattered foxing. Unframed.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Temple and the History of Bacchus (M. 346)

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Description: Lithograph printed in colors, 1961, signed in pencil, numbered 49/60 (aside from the book edition of 250), from Daphnis and Chloé, on Arches wove paper, published by Verve, Paris, framed

Condition Report: The print is in good condition, with full margins. Traces of mat- and light-stain. The verso with very faint traces of adhesive along the edges and slight discoloration.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Small Nude (M. 634)

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Description: Lithograph printed in colors, 1971, signed in pencil, numbered 15/50, on Arches wove paper, framed

Condition Report: The print is in good condition, with full margins. Colors slightly attenuated. Very pale mat-stain in the margins. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | A Day in May (M. 654)

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Description: Lithograph printed in colors, 1972, signed in pencil, numbered 30/50, on Arches wove paper, framed

Condition Report: The print is in good condition, with full margins. Light-stain and faint mat-stain, with a few miniscule fox marks in margins. (A 1/4 inch handling crease at center left edge. A tiny skinned spot at lower left corner.) The verso in good condition, with faint discoloration.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Bacchante (M. 690)

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Description: Lithograph printed in colors, 1973, signed in pencil, numbered 41/50, on Arches wove paper, framed

Condition Report: The print is in generally good condition, with full margins, aside from light-stain and colors slightly attenuated. A very minor spot of soiling in the lower margin just touching the image. A crease in the upper margin at right. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Couple against a black background II (M. 707a)

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Description: Lithograph printed in colors, 1973, signed in pencil, inscribed 'HC' (over an erased inscription), a proof aside from the numbered edition of 50, on japon nacré, published by Maeght, Paris, framed

Condition Report: The print is in generally good condition, with full margins. Rolling creases visible, faint mat-stain. A small spot of soiling in the left margin. A tiny skin spot at upper center edge.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Circus Parade (M. 969)

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Description: Lithograph printed in colors, 1980, signed in pencil, numbered 42/50, on Arches wove paper, with the blindstamp of the printer, Mourlot, Paris, framed

Condition Report: The print is in good condition, with full margins. Faint light- and mat-stain. A slight smudge of soiling in the upper margin at left, also visible on the verso.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | The Odyssea II (M. 830; see Cramer BK. 96)

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Description: Lithograph printed in colors, 1975, signed in pencil, numbered 15/30 (aside from the book edition of 250), on japon nacré, printed and published by Mourlot, Paris, framed

Condition Report: The print is in good condition, with full margins. (Lower left margin tip slightly soft.) The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Couple at Dusk (M. 972)

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Description: Lithograph printed in colors, 1980, signed in pencil, numbered 21/50, on Arches wove paper, published by Maeght, Paris, framed

Condition Report: The print is in good condition, with margins (Mourlot indicates that the sheet size is 1160 by 755 mm). Light-stain and faint mat-stain in the margins (inconspicuous time-stain at sheet edges). A few scattered spots of surface soiling. One small inconspicuous crease in the margin at upper center. Colors slightly attenuated. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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MARC CHAGALL | Songes (C. BK.12)

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Description: The complete portfolio comprising 20 etchings printed in colors, 1981, each signed in pencil, numbered 24/50 (from the total edition of 60), also numbered on the justification page, on Rives wove paper, printed by Lacourière et Frélaut, Paris, published by Editions Gérald Cramer, Geneva, loose (as issued) (20 prints) 

Condition Report: The etchings in good condition, with full margins. Some of the paper folders which contain the etchings with slight foxing. In the original heavy paper folder, some fox marks, and vellum covered box, which is soiled and foxed with one corner split.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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CHARLES SORLIER AFTER MARC CHAGALL | Femme au bouquet (M. CS 37)

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Description: Lithograph printed in colors, 1967, signed in pencil, numbered 137/150, from the Nice et la Côte d'Azur series, on Arches wove paper, framed

Condition Report: The print is in good condition, with full margins. There is a 1/4 inch vertical tear in the sheet at lower left corner and associated creasing. The verso in good condition with inconspicuous offsetting.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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CHARLES SORLIER AFTER MARC CHAGALL | Carmen (M. CS 39)

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Description: Lithograph printed in colors, 1966, signed in black pencil, numbered 72/150 in white pencil, on Arches wove paper, printed by Charles Sorlier, Paris, framed

Condition Report: The print is in good condition, the full sheet. (The sheet edges, verso, are discolored.)In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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PAUL CÉZANNE | The Large Bathers (Venturi 1157)

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Description: Lithograph, 1896-98, Venturi's first state of three, from the edition of circa 100, on MBM laid paper with the watermark, framed

Condition Report: The print with full margins. Traces of mat- and light-stain. Remnants of adhesive from hinging in lower center margin approximately 7 inches in length. One spot of discoloration at upper sheet edge in margin. Time-stain at extreme edges of sheet. A few miniscule fox marks. The verso in generally good condition, with traces of discoloration previous backing board. A few scattered fox marks.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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SALVADOR DALÍ | Imaginations and Objects of the Future (Michler/Löpsinger 882-831; Field 75-11)

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Description: The complete deluxe edition of the portfolio comprising 11 intaglios and lithographs printed in colors, six with collage, including Dalínean Prophecy, 1975-76, each signed in pencil, signed again in ink on the title page, numbered IV/LXXV, from the edition of 75 (total edition is 350), the prints on Japan, cover sheets on wove, etchings printed by Rigal, Paris, lithographs printed by Desjobert, Paris, collage applied by hand at Chicago Serigraphic Workshop, published by Merrill Chase, Chicago, loose (as issued) (11 prints)

Condition Report: Contained in original paper covers with original wooden box and faux leather lining. The prints are in good condition, with full margins. A few of the cover sheets with minor surface dirt. Portfolio box and faux leather lining with some spots of sticky residue. The box with a horizontal scuff mark on the top.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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M. C. ESCHER | Puddle (Bool/Kist/Locher/Wierda 378)

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Description: Woodcut printed in colors, 1952, signed in pencil, inscribed 'eigen druk.', on laid Japan, framed

Condition Report: The print is in good condition, with margins, colors are fresh. There is a 1/2 inch repaired tear in margin at upper right. There are three small losses at sheet edge, lower right. A few miniscule fox marks scattered in margins. Small remnant of tape visible at sheet edge, upper and lower center. The verso in good condition.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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M. C. ESCHER | Belvedere (B./K./L./W. 426)

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Description: Lithograph, 1958, signed in pencil, numbered 31/40, on cream Holland wove paper, framed

Condition Report: The print is in good condition, with large margins. Faint light-stain. A few fox marks, mainly in the margins. Slight discoloration and soiling in the margins and on verso. The verso with a few tiny stains. Old brown paper tape hinges at upper edge.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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LÉONARD FOUJITA | Femmes: [Two Seated Nudes]

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Description: Etching and roulette printed in colors, 1930, signed in pencil and numbered 50/100, from the Femmes portfolio, on chine appliqué, published by Apollo Editions Artistiques, Paris, framed

Condition Report: With margins. An oval pale brown spot of soiling in the arm at far right. Another semi-circular spot of white ink in the perimeter of the image at left. A few slight scuffs and two tiny nicks in the background at upper left. Faint light-stain, old masking tape hinges in the edges. Laid down.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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FRIEDENSREICH HUNDERTWASSER | The Occidental (Koschatzky/Kertész 71)

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Description: Etching with aquatint printed in colors, 1978, signed in ink, with the artist's red seals, dated '18 Mai 1978', numbered 185/220 (total edition includes 18 proofs), on Arches wove paper, with the inkstamp of the printer, Robert Finger, Vienna, with the inkstamp of the publisher, Gruener Janura AG, Glarus

Condition Report: The print is in generally good condition, with large margins. Colors slightly attenuated. Light-stain in the margins, with regular inconsistencies at edges due to previous framing. Time-stain at extreme sheet edge. Light foxing in the margins. The verso in generally good condition, with a few remnants of adhesive from previous hinge tape at extreme edges. Sheet is slightly toned overall, with a few faint stains and fox marks. One miniscule skinned spot at upper right corner. Unframed.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ERICH HECKEL | Liegendes Kind (Dube V.II 79A)

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Description: Drypoint and burnishing with plate tone, 1910, signed in pencil, dated, a proof aside from the edition of 40, on wove paper, framed

Condition Report: The print is in good condition, with margins. Faint light-stain. A few tiny inconspicuous fox marks in the margins. The corners are slightly soft, with flattened creases in the upper and lower left corners. The verso in good condition with two small irregularities at center a few spots of discoloration. Remnants of adhesive from previous hinge tape visible at upper corners. Some surface soiling. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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