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Auction Description for Shannon's: American and European Fine Art Sale

American and European Fine Art Sale (247 Lots)

by Shannon's


247 lots with images

27 October 2016

Live Auction

Milford, CT, USA

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JOHANN BERTHELSEN, American (1883-1972), 5th Avenue, oil on canvas, signed lower right., 16 x 12 inches

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Description: JOHANN BERTHELSEN American (1883-1972) 5th Avenue oil on canvas, signed lower right. 16 x 12 inches Provenance: Private Collection, Connecticut. Other Notes: Tags: American Impressionism / Impressionist, New York City, 19th Century

Condition Report: Canvas: Unlined Condition: Very Good/Good Restoration: None Frame: Original Comments: Not cleaned in modern times Wear along frame edge. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOHANN BERTHELSEN, American (1883-1972), Washington Square, oil on board, signed lower right., 12 x 9 inches

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Description: JOHANN BERTHELSEN American (1883-1972) Washington Square oil on board, signed lower right. 12 x 9 inches Provenance: Private Collection, Connecticut. Other Notes: Tags: American Impressionism / Impressionist, New York City, 19th Century

Condition Report: Canvas: Not Applicable Condition: Excellent/Very Good Restoration: None Frame: Original Comments: Not cleaned in modern times In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOHANN BERTHELSEN, American (1883-1972),

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Description: JOHANN BERTHELSEN American (1883-1972) "Summer Evening, The Plaza, New York City" oil on canvas, signed lower right, signed, titled and dated "1948" on reverse. 25 x 30 inches Provenance: Private Collection, Connecticut. Other Notes: Tags: American Impressionism / Impressionist, New York City, 19th Century

Condition Report: Canvas: Unlined Condition: Very Good Restoration: None Frame: Original Comments: Not cleaned in modern times In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOHN C. TERELAK, American (b. 1942), Flatiron Building, oil on canvas, signed and inscribed

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Description: JOHN C. TERELAK American (b. 1942) Flatiron Building oil on canvas, signed and inscribed "©92" lower left. 36 x 24 inches Provenance: Private Collection, Long Island, New York. Other Notes: Tags: Contemporary, American Impressionism / Impressionist, New York City, 20th Century

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Comments: Very minor area of restoration upper left. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOHN C. TERELAK, American (b. 1942), Diamond District, oil on canvas, signed and dated

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Description: JOHN C. TERELAK American (b. 1942) Diamond District oil on canvas, signed and dated "87" lower right. 16 x 20 inches Provenance: Private Collection, Long Island, New York. Other Notes: Tags: Contemporary, American Impressionism / Impressionist, New York City, 20th Century

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: None Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DOUGLAS BREGA, American (b. 1948), Storm at Greystone, oil on masonite, signed lower right., 24 1/4 x 29 7/8 inches

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Description: DOUGLAS BREGA American (b. 1948) Storm at Greystone oil on masonite, signed lower right. 24 1/4 x 29 7/8 inches Provenance: Private Collection, Pennsylvania. Other Notes: Tags: Contemporary, New England, 20th Century, Realist / Realism

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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EMILE ALBERT GRUPPE, American (1896-1978), Gloucester Dock Workers, oil on canvas, signed lower right., 19 5/8 x 23 3/4 inches

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Description: EMILE ALBERT GRUPPE American (1896-1978) Gloucester Dock Workers oil on canvas, signed lower right. 19 5/8 x 23 3/4 inches Provenance: Private Collection, Seattle, Washington; Private Collection, West Virginia. Other Notes: Tags: Rockport School, American Impressionist / Impressionism, 20th Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PETER BELA MAYER, Hungarian / American (1887-1993), Village by the Coast, oil on canvas, signed lower right, in a Heydenryk frame.,...

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Description: PETER BELA MAYER Hungarian / American (1887-1993) Village by the Coast oil on canvas, signed lower right, in a Heydenryk frame. 36 x 40 inches Provenance: Private Collection, New York, New York; Private Collection, Connecticut. Other Notes: Tags: American Impressionist / Impressionism, 20th Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WALTER FARNDON, American (1876 - 1964), Boothbay Harbor, oil on board, signed lower right., 14 x 18 inches

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Description: WALTER FARNDON American (1876 - 1964) Boothbay Harbor oil on board, signed lower right. 14 x 18 inches Provenance: A Connecticut Estate. Other Notes: Tags: New Hope School, Maine, American Impressionist / Impressionism, 20th Century

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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T. M. NICHOLAS, American (b. 1963), Trinity Church, Newport, Rhode Island - Looking West, oil on canvas, signed lower left., 16 x 20...

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Description: T. M. NICHOLAS American (b. 1963) Trinity Church, Newport, Rhode Island - Looking West oil on canvas, signed lower left. 16 x 20 inches Provenance: Bellevue Galleries, Newport, Rhode Island; Private Collection, Rhode Island. Other Notes: Tags: American Impressionist / Impressionism, 20th Century, 21st Century, Contemporary

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ARRAH LEE GAUL, American (1883-1980), Courtyard with Blue Door, oil on canvas, signed lower right., 24 x 30 inches

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Description: ARRAH LEE GAUL American (1883-1980) Courtyard with Blue Door oil on canvas, signed lower right. 24 x 30 inches Provenance: Estate of the artist; Private Collection, Massachusetts. Other Notes: Tags: American Impressionism / Impressionist, Contemporary, 20th Century

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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EVERETT LLOYD BRYANT, American (1864-1945),

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Description: EVERETT LLOYD BRYANT American (1864-1945) "Flower Market" oil on canvas, signed lower right. 30 x 36 inches Provenance: Purchased from the Artist by his New York City dealer Howard Cosby Alley (1876-1947). Alley was a partner in the New York City art firm of Alley and Trask (Trask was the head of the PAFA who left academia to make money by using his contacts to gather a stable of artists). By descent to his granddaughter; Property of The Boston Art Club. Other Notes: Stretcher marked with the stamp of A. H. Abbott & Co., Chicago, Illinois. Tags: American Impressionism / Impressionist, 20th Century

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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BRUCE BRAITHWAITE, American (b. 1950),

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Description: BRUCE BRAITHWAITE American (b. 1950) "Manhattan Rains" oil on canvas, signed lower right, signed, titled, numbered "#500," inscribed "(Across Chambers St./Manhattan Municipal)" and dated "2016". 24 x 30 inches Provenance: The artist. Other Notes: Tags: Contemporary, New York City Scenes, 21st Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Original In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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VINCENT JANNELLI, American (1882-1962), New York Skyline from Newark, oil on canvas, signed and dated

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Description: VINCENT JANNELLI American (1882-1962) New York Skyline from Newark oil on canvas, signed and dated "MCMXXXIX" lower right. 24 x 31 inches Provenance: Private Collection, New York, New York. Other Notes: Tags: Contemporary, New York City, 20th Century

Condition Report: Canvas: Lined Condition: Good/Fair Restoration: ModerateConsiderable Frame: Cap Comments: A four inch area of restoration lower left. Two patches of restoration in the tree center, about four inches by three inches and two inches by two inches. A four inch by one inch line of restoration lower left. Other scarttered minor inpainting. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PETER POSKAS, American (b. 1939),

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Description: PETER POSKAS American (b. 1939) "Winter Morning, North Cornwall" oil on canvas, signed lower left. 27 x 56 inches Provenance: Sherry French Gallery, Inc., New York, New York; Private Collection, Vermont. Other Notes: Tags: Connecticut, Contemporary, New England, 21st Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Original In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PETER POSKAS, American (b. 1939),

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Description: PETER POSKAS American (b. 1939) "Cornwall Farm" oil on canvas laid down on board, signed on canvas on reverse. 11 x 13 3/4 inches Provenance: The artist; Private Collection, Vermont. Other Notes: Tags: Connecticut, Contemporary, New England, 21st Century

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Reproduction Comments: A three inch section of the bottom of the painting was cut off and re-attached to the reverse. That portion contains the signature. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PETER POSKAS, American (b. 1939),

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Description: PETER POSKAS American (b. 1939) "Study for Winter Morning" oil on canvas laid down on board, signed lower right. 12 x 12 1/2 inches Provenance: The artist; Private Collection, Vermont. Other Notes: Tags: Connecticut, Vermont, New England, Contemporary, 21st Century

Condition Report: Canvas: Lined Condition: Very Good Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PETER POSKAS, American (b. 1939),

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Description: PETER POSKAS American (b. 1939) "Traceries, Edge of Spring" oil on canvas, signed lower right. 48 x 30 1/2 inches Provenance: Sherry French Gallery, Inc., New York, New York; Private Collection, Vermont. Other Notes: Tags: Connecticut, Vermont, New England, Contemporary, 21st Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Original In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LEVI WELLS PRENTICE, American (1851-1935), Still Life with Peaches in a Basket, oil on canvas, signed lower right., 11 3/4 x 18 inch...

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Description: LEVI WELLS PRENTICE American (1851-1935) Still Life with Peaches in a Basket oil on canvas, signed lower right. 11 3/4 x 18 inches Provenance: Alderfer Auction, June 11, 2010, Lot 3024; Private Collection, New Jersey. Other Notes: Tags: Still-life, 19th Century, 20th Century

Condition Report: Canvas: Unlined Condition: Very Good Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WILLIAM MASON BROWN, American (1828-1898), Autumn, oil on board, initialed lower right., 14 x 12 inches

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Description: WILLIAM MASON BROWN American (1828-1898) Autumn oil on board, initialed lower right. 14 x 12 inches Provenance: Private Collection, Florida. Other Notes: Partial old label on the reverse, "Wm. M. Brown near Trenton, N.J." Tags: Hudson River School, 19th Century

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Period Comments: Minor touch up to edges, one very small area to the left of right tree. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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EDMUND C. COATES, American (1816-1871),

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Description: EDMUND C. COATES American (1816-1871) "The Naval Engagement Between the United States and the Macedonia" oil on canvas, signed, dated "1855" and inscribed "SNY SLA" lower center. 27 x 35 3/4 inches Provenance: A Connecticut Estate. Other Notes: A letter and appraisal dated November 5, 1974 from Vose Galleries, Boston, Massachusetts, accompany the Lot, indicating that the subject is taken directly from a painting by Thomas Birch. Tags: Maritime Art, Ship, Historical Painting, Nautical, 19th Century

Condition Report: Canvas: Lined Condition: Good Restoration: Minor Frame: Period Comments: Areas of restoration in the sky, along the left edge and along the lower left corner. Scattered craquelure throughout. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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MAURITZ FREDERICK H. DE HAAS, American (1832-1895), Brigantine, Schooner and Steamship at Sea, oil on canvas, signed lower left., 16...

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Description: MAURITZ FREDERICK H. DE HAAS American (1832-1895) Brigantine, Schooner and Steamship at Sea oil on canvas, signed lower left. 16 1/2 x 24 5/8 inches Provenance: Skinner Inc., Boston, Massachusetts, May 16, 2014, Lot 445. Other Notes: Tags: Maritime, Nautical, Ship, 19th Century

Condition Report: Canvas: Unlined Condition: Very Good/Good Frame: Period Comments: "T" shaped repaired tear upper left. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PAUL KELPE, American (1902-1985), A Unique Pipe Cabinet, hand-painted wood, lacquered wood, enameled steel., 28 3/4

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Description: PAUL KELPE American (1902-1985) A Unique Pipe Cabinet hand-painted wood, lacquered wood, enameled steel. 28 3/4" H x 11 3/4" W x 11 3/4" D Provenance: Gift from the Artist circa 1934 to H. R. Hantke, Chicago; descended in the family; Valerie Carberry Gallery, Chicago, Illinois; Private Collection, Illinois. Other Notes: Tags: Contemporary, Abstract, 20th Century

Condition Report: Canvas: Not Applicable Condition: Excellent/Very Good Comments: A few minor scuffs commensurate with age, mainly to the table top. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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KEITH HARING, American (1958-1990), American Music Festival, New York City Ballet, 1988, lithograph, signed and dated

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Description: KEITH HARING American (1958-1990) American Music Festival, New York City Ballet, 1988 lithograph, signed and dated "''88" lower right. 24 x 36 inches Provenance: From the Artist; Private Collection, Connecticut. Other Notes: Printing by Philip Morris Companies Inc. Tags: Pop-Art, Contemporary, 20th Century

Condition Report: Canvas: Not Applicable Condition: Good Restoration: None Frame: Unframed Comments: Very minor areas of abrasion. Glued to foam core backing. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ILYA BOLOTOWSKY, American/Russian (1907-1981),

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Description: ILYA BOLOTOWSKY American/Russian (1907-1981) "Rhomb, Pale Yellow, Blue and White" acrylic on wood, signed, dated "1976" and titled on the reverse. 15 1/2 x 8 7/8 inches Provenance: Private Collection, Florida. Other Notes: Tags: Contemporary, Op-Art, Geometric Abstraction, 20th Century

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Unframed Comments: Not cleaned in modern times In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ILYA BOLOTOWSKY, American/Russian (1907-1981), Yellow and Red Diamond, acrylic and graphite on paper, initialed center right., 7 3/8...

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Description: ILYA BOLOTOWSKY American/Russian (1907-1981) Yellow and Red Diamond acrylic and graphite on paper, initialed center right. 7 3/8 x 3 7/8 inches Provenance: Private Collection, Connecticut. Other Notes: Tags: Contemporary, Op-Art, Geometric Abstraction, 20th Century

Condition Report: Canvas: Not Applicable Condition: Very Good/Not examined out of frame Restoration: None Frame: Superior Quality Reproduction Comments: not examined out of frame. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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SCHOOL OF JARED FRENCH, American (20th Century), Art and Science, c. 1939, oil on canvas, unsigned, in a Heydenryk Frame., 50 x 40 i...

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Description: SCHOOL OF JARED FRENCH American (20th Century) Art and Science, c. 1939 oil on canvas, unsigned, in a Heydenryk Frame. 50 x 40 inches Provenance: Private Collection, New York, New York; Property of The Boston Art Club. Other Notes: There is another painting on the reverse. Tags: 1930s, Art Deco, Figurative, WPA, 20th Century

Condition Report: Canvas: Unlined Condition: Good Restoration: None Frame: Period Comments: Thinly painted in some areas which can be seen in the photograph. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LUCIAN BERNHARD, American (1883-1972), Nap at the Beach, oil on board, unsigned., 13 1/4 x 19 1/4 inches

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Description: LUCIAN BERNHARD American (1883-1972) Nap at the Beach oil on board, unsigned. 13 1/4 x 19 1/4 inches Provenance: Son of the artist; Private Collection, Connecticut. Exhibitions: Lucion Bernhard "Designer as Painter" UCONN Branford House, Von Schlippe Gallery, 1994. Literature: Illustrated in "Designer as Painter," The Day, May 10, 1994. Other Notes: Estate stamp on the reverse. Tags: Figurative, WPA, 20th Century

Condition Report: Canvas: Not Applicable Condition: Excellent/Very Good Restoration: None Frame: Original Comments: Not cleaned in modern times In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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RAPHAEL SOYER, American (1899-1987), Waiting at the Station, oil on canvas, signed lower right., 18 x 14 inches

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Description: RAPHAEL SOYER American (1899-1987) Waiting at the Station oil on canvas, signed lower right. 18 x 14 inches Provenance: Private Collection, New York. Other Notes: Tags: Figurative, WPA, Realism, 20th Century

Condition Report: Canvas: Unlined Condition: Very Good Frame: Old Comments: Possible inpainting in upper 1/3 background. Some skinning to the shoulder of the seated woman with the shawl. Craquelure confined to green dress. Should be seen in person. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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EDWARD MILLMAN, American (1907-1964),

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Description: EDWARD MILLMAN American (1907-1964) "Windswept Barn" gouache on paperboard, signed and dated "''39" lower right. 22 x 28 inches (sight) Provenance: Gift of the artist to his sister, by descent to his granddaughter; Property of The Boston Art Club. Exhibitions: Art Institute of Chicago, 19th International Exhibition of Watercolors,1940. Other Notes: Tags: Regionalist / Regionalism, 20th Century

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DALE NICHOLS, American (1904-1995), Sunset on the Farm, oil on canvas, signed lower left., 24 x 30 inches

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Description: DALE NICHOLS American (1904-1995) Sunset on the Farm oil on canvas, signed lower left. 24 x 30 inches Provenance: The artist; Private collection, Missouri. Other Notes: Click to read the accompanying essay for this lot. Tags: Regionalism / Regionalist, 20th Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES WILSON KNAPP, American (1823-1900), River in Autumn, oil on canvas, signed lower left., 23 3/4 x 41 3/4 inches

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Description: CHARLES WILSON KNAPP American (1823-1900) River in Autumn oil on canvas, signed lower left. 23 3/4 x 41 3/4 inches Provenance: Private Collection, New York. Other Notes: Tags: Hudson River School, 19th Century

Condition Report: Canvas: Unlined Condition: Good Restoration: Minor Frame: Period Comments: Scattered crazing throughout. Stretcher bar mark. Scattered minor inpaint mostly to craquelure. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES WILSON KNAPP, American (1823-1900), Landscape with Cows Grazing, oil on canvas, signed lower left., 20 x 36 inches

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Description: CHARLES WILSON KNAPP American (1823-1900) Landscape with Cows Grazing oil on canvas, signed lower left. 20 x 36 inches Provenance: Private Collection, Greenwich, Connecticut. Other Notes: Tags: Hudson River School, 19th Century

Condition Report: Canvas: Lined Condition: Very Good Restoration: Minor Frame: Old Comments: A 2 inch area of restoration in sky, upper left. Other very minor scattered areas of inpainting consistent with age. Scattered crazing. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JASPER FRANCIS CROPSEY, American (1823-1900), Farm Along the River, oil on canvas, signed and dated

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Description: JASPER FRANCIS CROPSEY American (1823-1900) Farm Along the River oil on canvas, signed and dated "1889" lower right. 13 3/4 x 23 3/4 inches Provenance: Christie''s, December 6, 1991, Lot 89; Private Collection, Connecticut. Other Notes: Tags: Hudson River School, 19th Century

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor/Minor Frame: Period Comments: Scattered inpainting mostly to sky. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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THOMAS DOUGHTY, American (1793-1856), Landscape with Pine Trees and House, oil on canvas, unsigned., 22 x 30 inches

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Description: THOMAS DOUGHTY American (1793-1856) Landscape with Pine Trees and House oil on canvas, unsigned. 22 x 30 inches Provenance: Private Collection, Massachusetts. Other Notes: Tags: Hudson River School, 19th Century

Condition Report: Canvas: Unlined Condition: Good Restoration: Very Minor Frame: Period Comments: Scattered craquelure throughout. There is a one inch circular repair to the right side of the left tree with corresponding patch on the reverse. There is another very small patch upper right, on the reverse. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WILLIAM TROST RICHARDS (Attributed), American (1833-1905), A Sunny Morning Stroll in the Country, oil on canvas, unsigned., 14 x 20...

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Description: WILLIAM TROST RICHARDS (Attributed) American (1833-1905) A Sunny Morning Stroll in the Country oil on canvas, unsigned. 14 x 20 inches Provenance: Private Collection, Massachusetts. Other Notes: This painting relates to other known works by Richards of rural Pennsylvania. A painting with the same title sold at Sotheby''s on December 1, 2004, Lot 83. There is a partial label on the stretcher from "Williams Emporium - 7 ??th St. Phila." Tags: Hudson River School, Pennsylvania, 19th Century

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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GEORGE INNESS, American (1825-1894),

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Description: GEORGE INNESS American (1825-1894) "A Cloudy Day" oil on canvas, signed and dated "1886" lower center. 25 x 30 inches Provenance: The artist; Estate of the above; Fifth Avenue Galleries, New York, Executor''s Sale of Paintings by the Late George Inness, N.A., 12-14 February 1895, Lot 132; Joseph H. Spafford, acquired from the above; Mrs. Spafford, by bequest from the above; [With]Leroy Ireland, New York, 1951; Ernest Closuit, Fort Worth, Texas; [With]Meredith Long & Company, Houston, Texas, circa 1960; Private collection. Exhibitions: New York, American Fine Arts Society, Exhibition of the Paintings Left by the Late George Inness, December 27, 1894, no. 90. Literature: L. Ireland, "The Works of George Inness: An Illustrated Catalogue Raisonné," Austin, Texas, 1965, p. 336, no. 1324, illustrated; M. Quick, "George Inness: A Catalogue Raisonné," vol. II, New Brunswick, New Jersey, 2007, pp. 282-83, 311, no. 966, illustrated. Other Notes: Tags: Hudson River School, Tonalist, Tonalism, 19th Century

Condition Report: Canvas: Lined Condition: Very Good/Good Restoration: Very Minor Frame: Superior Quality Reproduction Comments: Remnant varnish visible under UV light. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ALFRED THOMPSON BRICHER, American (1837-1908), Evening Glow, oil on canvas, signed lower right., 15 x 32 inches

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Description: ALFRED THOMPSON BRICHER American (1837-1908) Evening Glow oil on canvas, signed lower right. 15 x 32 inches Provenance: Jack Farley, Troy, Pennsylvania, before 1950; To his grandson, John and Carolyn Imbt, Troy, Pennsylvania, c. 1980; By descent to their son; Acquired by the present owner from above (Barridoff Galleries, August 2000, lot 147). Other Notes: Click to read the accompanying essay for this lot. Tags: Maritime, Nautical, Seascape, Hudson River School, Luminist, Luminism, 19th Century

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Frame: Original/Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ALFRED THOMPSON BRICHER, American (1837-1908), (Group of Four) (a)

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Description: ALFRED THOMPSON BRICHER American (1837-1908) (Group of Four) (a) "Rocks and Ships at Grand Manan, Maine, 1886" (b) "Coast of Maine" (c) "Cloudy Day, Maine Coast" (d) "Rowboats on the Shore, Maine, 1885" (a) watercolor en grisaille with Chinese white on paper, signed with monogram lower right, inscribed in pencil on matboard "98 / Rocks and Ships at Grand Manan, Maine - 1886 / Original drawing by 1837 - Alfred T. Bricher - 1908 - A.W.S - A.N.A" (b) watercolor en grisaille with Chinese white on paper, signed with monogram lower right, inscribed in pencil on matboard "51 / Coast of Maine - 1888 / Original drawing by 1837 - Alfred T. Bricher - 1908 - A.W.S - A.N.A" (c) watercolor en grisaille with Chinese white on paper, signed with monogram lower right, inscribed in pencil on matboard "26 (20) / Original drawing by 1837 - Alfred T. Bricher - 1908 - A.W.S - A.N.A" (d) watercolor en grisaille with Chinese white on paper, signed with monogram lower right, inscribed in pencil on matboard "95 / Done 1885 / Original drawing by 1837 - Alfred T. Bricher - 1908 - A.W.S - A.N.A" (a) 2 7/8 x 7 1/8 inches (b) 3 1/4 x 7 1/4 inches (c) 3 1/4 x 8 inches (d) 3 1/4 x 7 3/4 inches Provenance: These drawings were purchased as an intact sketchbook from his niece by Clayton Liberatore Gallery of New York City and Bridgehampton, Long Island; Private Collection, Connecticut. Other Notes: Tags: Maritime, Nautical, Seascape, Hudson River School, Luminist, Luminism, 19th Century, Works on Paper

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JAMES MC DOUGAL HART, American (1828-1901),

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Description: JAMES MC DOUGAL HART American (1828-1901) "Loon Lake Morning" oil on canvas, unsigned. 30 x 50 inches Provenance: Private Collection, Maryland. Other Notes: Tags: Hudson River School, Pastoral Landscape, 19th Century

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor/Minor Frame: Period Comments: Scattered areas of inpaint mostly due to craquelure. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WALTER LAUNT PALMER, American (1854-1932),

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Description: WALTER LAUNT PALMER American (1854-1932) "Upland Stream, Mohawk Valley" oil on canvas, signed lower right. 25 1/2 x 30 inches Provenance: Mrs. Morton Dexter; Museum of Fine Arts, Boston, Massachusetts, gift from the above; Private Collection, Dallas, Texas. Literature: M. Mann, "Walter Launt Palmer: Poetic Reality," Atglen, Pennsylvania, 1984, p. 165, pl. 1031, illustrated. Other Notes: Label on the reverse "Gift of Mrs. Morton Dexter." Click to read the accompanying essay for this lot. Tags: American Impressionism / Impressionist, Winter Scene, Snow Scene, 19th Century

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ALBERT FITCH BELLOWS, American (1911-1988), Feeding Time, oil on board, initialed lower left., 15 x 19 3/4 inches

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Description: ALBERT FITCH BELLOWS American (1911-1988) Feeding Time oil on board, initialed lower left. 15 x 19 3/4 inches Provenance: Private Collection, New York. Other Notes: Tags: Hudson River School, Pastoral Landscape, 20th Century

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor/Minor Frame: Period Comments: Scattered very minor craquelure. There is a two inch by 1/4 inch repaired tear left center to the right of the tree, with corresponding patch on the reverse. Frame is a period liner. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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GEORGE W. WATERS, American (1832-1912),

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Description: GEORGE W. WATERS American (1832-1912) "View on Lake George" oil on canvas, signed and dated "1881" lower right. 12 x 20 inches Provenance: The Albany Gallery, Albany, New York; Private Collection, Florida. Other Notes: Tags: Landscape, Hudson River School, 19th Century

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Superior Quality Reproduction Comments: Very minor scattered inpaint. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WILLIAM BRADFORD, American (1823-1892), Ship Off the Coast of Labrador, oil on canvas, signed lower right., 9 x 14 inches

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Description: WILLIAM BRADFORD American (1823-1892) Ship Off the Coast of Labrador oil on canvas, signed lower right. 9 x 14 inches Provenance: Private Collection, Connecticut. Other Notes: Tags: Alaska, Nautical, Hudson River School, 19th Century

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Period Comments: Condition report from Yost Conservation is available upon request. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WILLIAM SAMUEL HORTON, American (1865-1936),

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Description: WILLIAM SAMUEL HORTON American (1865-1936) "Gstaad, Switzerland at Night" oil on canvas, signed lower right. 27 5/8 x 31 1/2 inches Provenance: Private Collection, Texas. Other Notes: Tags: Impressionism, Impressionist, Swiss, 19th Century, 20th Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WILLIAM SAMUEL HORTON, American (1865-1936),

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Description: WILLIAM SAMUEL HORTON American (1865-1936) "Village in Switzerland" oil on canvas, signed lower right. 27 x 31 3/8 inches Provenance: Private Collection, Texas. Other Notes: Tags: Impressionism, Impressionist, Swiss, 19th Century, 20th Century

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction Comments: Very minor scattered restoration mainly to the edges. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WALTER GRANVILLE-SMITH, American (1870-1938),

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Description: WALTER GRANVILLE-SMITH American (1870-1938) "Sentinel Trees," Bellport, Long Island oil on canvas, signed and dated "1914" lower right. 37 3/8 x 49 1/4 inches Provenance: Grand Central Galleries, New York, New York; Private Collection, Arizona. Other Notes: A letter from the artist to the original buyer dated Sept. 11th, 1926 describing the painting and location accompanies the Lot. Tags: Impressionist / Impressionism, 19th Century

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Frame: Original Comments: Areas of yellowing varnish. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES COURTNEY CURRAN, American (1861-1942),

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Description: CHARLES COURTNEY CURRAN American (1861-1942) "Maternal Cares" oil on canvas, signed and dated "1909" lower right. 20 x 30 inches Provenance: Fentress Collection, Waco, Texas. Literature: Teal, Gardner, "Poems in Paint, The Work of Charles C. Curran" in Hearst''s, Aug. 1916, vol. 30, no. 2, p. 102-104, illus. p. 104. Other Notes: Click to read the accompanying essay for this lot. Tags: Impressionist, Impressionism, 20th Century

Condition Report: Canvas: Unlined Condition: Excellent Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES COURTNEY CURRAN, American (1861-1942),

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Description: CHARLES COURTNEY CURRAN American (1861-1942) "Blue and Gold" oil on canvas mounted on board, signed, titled and dated "1929" lower right, signed, titled, numbered "232-3 C.C.C." on the reverse. 30 x 40 inches Provenance: Emily Curran, daughter of the Artist, Cragsmoor, New York; Kaycee Benton, Cragsmoor, New York; John Carmichael. Exhibitions: "Windy Summits, Fertile Valleys, An Artistic Journey Through The Shawangunk Mountains," The Hudson River Museum, September 26 - November 7, 1982; "The Artist''s Garden: American Impressionism and the Garden Movement, 1887-1920," February 13, 2015 - May 24, 2015, The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania; "Selections from our Permanent Collection," October 27, 2014 - November 1, 2014, National Arts Club, New York, New York; "Charles Courtney Curran: Seeking the Ideal," July 27, 2014 - October 5, 2014, Dixon Gallery and Gardens, Memphis, Tennessee, November 1, 2014 - February 1, 2015 and The Frick Art Museum at the Frick Art & Historical Center, Pittsburgh, Pennsylvania. Exhibited, The Cragsmoor Free Library, Cragsmoor, New York. Literature: Curran Record Book: 232/30; Faquin, Jane Ward, "Seeking the Ideal, Charles Courtney Curran," catalog no. 60. Other Notes: Tags: Cragsmoor, Impressionst, Impressionism, 20th Century

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES COURTNEY CURRAN, American (1861-1942),

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Description: CHARLES COURTNEY CURRAN American (1861-1942) "The Catskills From Woodgreen," Cragsmoor oil on board, signed and dated "1931" lower right. 8 x 10 1/2 inches Provenance: A Massachusetts Estate; Private Collection, Massachusetts. Other Notes: Tags: Impressionist, Impressionist, Cragsmoor, 20th Century

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: Very Minor Frame: Old Comments: One tiny dot of restoration lower center right. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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