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Auction Description for Barridoff: International Fine Art Auction
Auction Description:
Featuring the American and European paintings collections of the following, among others: The Estate Collection of Father Paul Plante (Proceeds to benefit the Roman Catholic Diocese of Portland, Maine) A Greater Boston Family Collection The Estate of Thomas Crotty (Frost Gully Gallery, Freeport) An Important Important Family Collection, Lexington, Massachusetts An Important Important Family Collection, Gastonbury, Connecticut  The Estate of the artist Charles Fromuth The Estate of William F. Herman An important Connecticut family collection A private New York Collection of American Still Lifes  And other fine paintings from private collections and families around the world The Father Paul Plante Estate Collection of American paintings will be sold by Barridoff Galleries at the request of Fr. Plante with proceeds to benefit the Portland Diocese. Plante was a highly regarded artist in Maine and several of his works will be included.   Barridoff Galleries was established in the mid 1970's by Annette and Rob Elowitch in both their home towns of Portland, Maine. It was the first auction house in Maine to specialize in the auction of fine art. It is the only auction house in Maine to offer only works of art at two auctions a year which are held in April and October. The auctions, which feature Old Masters, American, European, Russian, Asian, Modernist and contemporary work, are the Galleries' only business. In that regard, it was the forerunner to regional auction houses in America and probably throughout the world. Unusually extensive stories about the Galleries' owners and auctions have been featured on every national news network in a strong, positive way with unusually in depth stories on the Today Show on NBC, the Osgood File on CBS, and, with an extensive 15 minute story, on the the News Hour on PBS. Barridoff Galleries, which sells to major museums and important collectors throughout the world, responds to potential consignors within 24 hours and to auction buyers usually even sooner with accurate condition reports and answers to any questions regarding the consignment or sale of art. Art is both a passion and a business at Barridoff Galleries, a combination that makes buying and selling it an incomparable experience for everyone. The feature length movie about Barridoff and the Elowitches titled "Canvasman" has been telecast on public television in prime time and been an official selection at many important film festivals. (The DVD is available at Amazon.com.) The live previews and auctions are held at Abromson Center, University of Southern, Maine, 88 Bedford Street, Portland, Maine. The art school has played a particularly integral part in the rebirth of Longfellow's "beautiful city..seated by the sea." The Galleries donates a small percentage of every auction to the School.   Auction address: The Abromson Center 88 Bedford Street Portland, Maine On the campus of the University of Southern Maine     Office address Barridoff Galleries 401 Cumberland Avenue Apt 401 Portland, Maine 04101   Shipping and mailing address: Barridoff Galleries 50 Market Street South Portland, Maine 04106   For all business: Tel: 207 772 5011 Fax: 207 772 5049   Maine Auctioneers License #1092

International Fine Art Auction (291 Lots)

by Barridoff Galleries


291 lots | 290 with images

28 October 2016

Live Auction

Portland, ME, USA

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Alfred Chadbourn

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Description: Alfred Chadbourn Am. 1921-1998 View from the Table Signed "A. Chadbourn" l.r. Oil on canvas 40 x 40 in. 101.6 x 101.6 cm Provenance: Frost Gully Gallery, Freeport, Maine (label verso with title as above)

Condition Report: Good appearance, good condition, no apparent problems

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Alexander Bower

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Description: Alexander Bower Am. 1875-1952 Portland Harbor 1920 Signed indistinctly "Alexander Bower" l.r. Oil on canvas 33 x 27 in. 83.8 x 68.6 cm Property of Lewis C. Allen, Boonsboro, Maryland A copy of a review of an exhibition of the work of Alexander Bower at the Portland Museum of Art in the Audience section of the Maine Sunday Telegram dated May 28, 1995 is attached verso. It reads in part, "The 45 works on view show an artist pf greater range than previously imagined, who was also capable of inspired, superbly handled paintings...Probably the most outstanding composition is Bower's "Portland Harbor" (1920), a robust image that includes barges, dredges, and a tug boat at work. This is a rare work in that the work-a-day world intrudes on the natural surroundings that usually make up the sum total of the artist's vision.

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Stephen Etnier

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Description: Stephen Etnier Am. 1903-1984 Oyster Tongers Signed "Stephen Etnier" l.r.; also titled as above and signed "Stephen Etnier" verso Oil on Masonite 16 x 24 in. 40.6 x 61.0 cm Property of a Southern Maine collector

Condition Report: Good condition, good appearance, no apparent problems

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Stephen Etnier

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Description: Stephen Etnier Am. 1903-1984 Black Boulder #2 Signed and titled "Stephen Etnier, Black Boulder #2" verso Oil on board 24 x 36 in. 61.0 x 91.4 cm

Condition Report: Good condition, good appearance, no apparent restoration.

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Pablo Picasso

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Description: Pablo Picasso Sp. 1881-1973 Plate from Series 347, 1968 Signed and dated "Picasso 10" b.r. and marked I.82.2.05" u.r. Etching 6 x 7 3/4 in. 15.2 x 19.7 cm image:9 3/4 x 8 in. 24.8 x 20.3 cm paper:Provenance: Private collection, Wayne, New Jersey

Condition Report: All 4 Picasso etchings are in good condition, none is laid down, all have full margins. Only lot 8 has a frame,

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Pablo Picasso

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Description: Pablo Picasso Sp. 1881-1973 Plate from Series 347, 1968 Signed "Picasso 10" b.r.; and marked "V 82.8.81" u.r. Etching 6 x 7 3/4 in. 15.2 x 19.7 cm image:9 3/4 x 8 in. 24.8 x 20.3 cm paper:

Condition Report: All 4 Picasso etchings are in good condition, none is laid down, all have full margins.

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Pablo Picasso

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Description: Pablo Picasso Sp. 1881-1973 Plate from Series 347, 1968 Signed "Picasso 10" b.r. and marked V 82.R.S. u.l. Etching 6 x 7 3/4 in. 15.2 x 19.7 cm image:9 3/4 x 8 in. 24.8 x 20.3 cm paper:

Condition Report: All 4 Picasso etchings are in good condition, none is laid down, all have full margins.

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Pablo Picasso

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Description: Pablo Picasso Sp. 1881-1973 Plate from Series 347, 1968 Signed "Picasso 10" b.r. and marked I 82 8 08 (?) u.r. Etching 6 x 7 3/4 in. 15.2 x 19.7 cm image:9 3/4 x 8 in. 24.8 x 20.3 cm paper:

Condition Report: All 4 Picasso etchings are in good condition, none is laid down, all have full margins.

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Probably Italian School 17th C.

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Description: Probably Italian School 17th C. European School The Nakedness of Noah Oil on canvas 30 1/4 x 43 1/2 in. 76.8 x 110.5 cm

Condition Report: Good condition, good appearance, lined

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Attributed to Charles Joseph Natoire

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Description: Attributed to Charles Joseph Natoire Fr. 1700-1777 The Secret Inscribed and dated "Alla Riccia, 1759" l.l. Pen, ink, brown wash, and white gouache 12 1/4 x 15 1/2 in. 31.1 x 39.4 cm

Condition Report: Good condition, good appearance, not examined out of frame, under glass

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School of Jean-Antoine Watteau

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Description: School of Jean-Antoine Watteau Fr. 1684-1721 Appear to be after L?Assemble galante and F?tes venitiennes A pair of oils on canvas 18 1/2 x 25 in. 47.0 x 63.5 cm I believe that both are fairly direct adaptations of Watteau compositions. The first, known only through an engraving, is L?Assemble galante; the other, with the woman dancing, is after Watteau?s F?tes venitiennes now in Edinburgh ?1 which is a vertical painting but here transformed into a horizontal format. ...Martin Eidelberg in an email to Barridoff Galleries Dr. Eidelberg is generally recognized as the leading authority on the work of Watteau. He has published widely on the drawings and paintings as well as on many of the artists associated with him, particularly Claude Gillot, Claude III Audran, Pierre Antoine Quillard, and Phillipe Mercier. He is currently preparing a catalogue raisonn? of Watteau?s paintings, A Watteau Abecedario.

Condition Report: Good condition, good appearance, both lined, both show minor scattered spots of restoration with a black light

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Emilio Sivilla (Torres)

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Description: Emilio Sivilla (Torres) It. 1845-1894 The Marketplace Signed "E. Sivilla Tanger" (the French spelling for Tangiers) l.r. Oil on canvas 8 1/2 x 11 in. 21.6 x 27.9 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Emillio Sivilla (Torres)

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Description: Emillio Sivilla (Torres) It. 1845-1894 The Courtyard Signed "E. Sivilla Tanger" (the French spelling for Tangiers) l.r. Oil on canvas 7 1/2 x 10 in. 19.1 x 25.4 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Francesco De Maria

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Description: Francesco De Maria It. 1845-1908 Dancer Signed "F. DeMaria" l.l. Watercolor 14 x 20 in. 35.6 x 50.8 cm

Condition Report: Good condition, good appearance, under glass, laid on board which appears tobe original but no way to be sure but good color and condition

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Lucien Berthault

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Description: Lucien Berthault Fr. 1854-1921 Distant City in the East: Minarets. Palm Trees. amd Domed Building at River's Edg Monogrammed Monogrammed l.c. Mixed media on paper 4 1/2 x 5 3/4 in. 11.4 x 14.6 cm Provenance: Jordan Delhaise Gallery, Connecticut (label verso with description and size as above)

Condition Report: Good condition, good appearance

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Emile Eisman-Semenowsky

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Description: Emile Eisman-Semenowsky Pol. 1857-1911 Charm and Flowers Signed "Eisman-Semenowsky" l.l. Oil on board 24 x 10 1/4 in. 61.0 x 26.0 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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George Adam Schmidt

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Description: George Adam Schmidt Eur. 1791-1844 News Signed "G. A. Schmidt" l.l. Oil on panel 15 3/4 x 19 3/4 in. 40.0 x 50.2 cm

Condition Report: Good condition, good appearance, no apparent restoration

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Gaetano Chierici

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Description: Gaetano Chierici It. 1838?1920 The Mask Signed and dated "Chierici Gaetano [sic] 1871" l.l. Oil on canvas 31 x 41 in. 78.7 x 104.1 cm Property of the Estate of William F. Herman, Georgetown, Maine Provenance: Purchased by the current owner's great grandmother in Italy ca. 1874. It has never since been for sale privately or at auction. A copy of a letter written in Italian by the artist to the current owner' great grandmother in which he refers to her purchase of "The Mask" accompanies the lot.Galeano Chierici (not the letter referred to previously): "In my painting there is no inspiration of hidden meaning; there are no melancholy figures, rigid and vague in symbolism to delight the minds of the philosophers, but there is a profound affection for family, that's what inspires me.  That's why I was, and remain, a 'picture seller,' which is what they called me many years ago and which was reinforced to me by my children with the caresses and looks constantly radiating the smiles of their infancy; just as did my life's companion with the joyful surroundings that she created in my house." Chierici was one of the leading artists of the Italian School during the 19th Century. His subjects, here as everywhere, gave freshness to old themes. The Magazine of Art wrote in 1881: "We owe much to a painter who gives us homely subjects treated with sincerity and directness.? He has made poor Italian interiors his own, and paints the peasant and his children with an intimate sympathy and cordiality??Chierici has lived among his subjects, and paints people and things with a sincere and intense reality." TThat kind of description is rarely ascribed to a 19th Century masterpiece. But one has only to look at Chierici's images, the current one included, to realize that the artist was nothing short of a master. Every bit of this image demonstrates how hand, paint, and brush can work masterfully together with intuition to create illusion, not what we would today call photographic.This particular image proved to be extremely popular and it was reproduced several times both by the artist himself and by competent followers.Several of these images have appeared on the market, and prices realized have ranged from $2,000 to nearly $300,000. The current image to be offered at the Barridoff Galleries auction on October 28 is dated 1871, most likely the oldest known in private hands. The image at Barridoff stands as unique because it was purchased in Italy by the great grandparents of the current owner, a Maine family, in the late 18th Century and has never since been offered for sale privately or at auction. A copy of this image dated 1874 by the artist and of similar size was sold at Sotheby's London, New Bond Street in 2015 for $198,290 (£131,000). This one is dated three years earlier, 1871 and, given the date and the letter appears to be the first version by the artist still in private hands. The first version, no doubt, is the one dated 1869 in the Pinacoteca de Brera in Milan. Some of the above material was found at askART.com

Condition Report: Good condition, good appearance, old wax lining (reversible with no harm done if desired but not essential and with no bearing on the surface recto), very minor spots of restoration at the extremes and would be hidden by a proper frame liner, possibly an old spot or two elsewhere

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Luigi Bechi

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Description: Luigi Bechi It. 1830-1919 Sisterly Affection Signed "L. Bechi" u.r. Oil on board 7 1/4 x 10 in. 18.4 x 25.4 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Leon de Meutter Brunin

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Description: Leon de Meutter Brunin Bel. 1869-1941 In the Studio Signed "Leon Brunin, Anvers 87" l.l. Oil on cradle panel 29 1/2 x 24 1/2 in. 74.9 x 62.2 cm

Condition Report: Good condition, good appearance, minor scattered restoration

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Giovanni Toeschi

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Description: Giovanni Toeschi It. 19th C. Before the Mirror Signed and dated " Giovanni Toeschi 1878" l.r. Oil on board 12 x 8 1/4 in. 30.5 x 21.0 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Ferdinand Victor Leon Roybet

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Description: Ferdinand Victor Leon Roybet Fr. 1849-1820 Musketeer at The Easel Signed "F. Roybet" l.l. Oil on panel 20???16 in. 40.6???50.8 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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British School

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Description: British School Br. 19th/20th C. Taking Charge Oil on canvas 36 x 28 in. 91.4 x 71.1 cm Property of a gentleman, Gardiner, Maine Provenance: By descent through four generation in one family

Condition Report: Good unrestored condition, minor wear and tear of a largely untouched canvas and two or three very minor scattered spots of restoration also of little to no concern as in the small losses in the far lower right behind the dog and in the upper sky that can be seen in the image

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Mather Brown

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Description: Mather Brown Am./Br. 1761-1831 Children in Need Right image signed "Mather Brown" l.r. Oil on canvas 22 3/4 x 17 1/2 in. 57.8 x 44.5 cm Property of Debra and Kenneth Gulnick

Condition Report: Good restored condition, good appearance, scattered moderate restoration, professionally and very well done.

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Bernard Cathelin

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Description: Bernard Cathelin Fr. 1919-2004 Bouquet de Collines, 1962 Signed "Cathelin 62" l.r. Oil on canvas 51 x 76 1/2 in. 129.5 x 194.3 cm Property of Mr. and Mrs. Robert McNutt Provenance: Kennedy Galleries, NY (label verso) Munson Gallery, Santa Fe To the current owner, 1987

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Jules Jacques Veyrassat

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Description: Jules Jacques Veyrassat Fr. 1828-1893 Farm Work Signed "J. Veyrasset" l.r. Oil on board 8 3/4 x 16 in. 22.2 x 40.6 cm

Condition Report: Good condition, good appearance, no apparent restoration

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Frederick Walker

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Description: Frederick Walker Br. 1840-1875 Sunday Signed "E. W." l.l. Watercolor 6 x 9 in. 15.2 x 22.9 cm

Condition Report: Good condition, good appearance, not examined out of frame

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Peter Kraemer II

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Description: Peter Kraemer II Ger. 1857-1936 A Glass of Wine Signed and inscribed "P.Kraemer Munchen 1891" u.l. Oil on board 6 x 4 1/2 in. 15.2 x 11.4 cm Property of a family, Windham, Maine Provenance: By descent in the family

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Edmund Adler

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Description: Edmund Adler Aus. 1876-1965 Friends Signed "Edmund Adler" l.r. Oil on canvas 18 1/2 x 12 1/2 in. 47.0 x 31.8 cm

Condition Report: Good appearance, good condition, no apparent problems

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Ludolfs Liberts

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Description: Ludolfs Liberts Latvia 1895-1959 A View of Paris Signed "Ludolfs Liberts" l.r. Oil on canvas 24 x 20 in. 61.0 x 50.8 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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George Hyde Pownall

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Description: George Hyde Pownall Br. 1876-1932 Fleet Street Signed and titled "Fleet Street, Geo. Hyde P." verso Oil on board 8 1/4 x 5 1/2 in. 21.0 x 14.0 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Edmund Quincy

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Description: Edmund Quincy Fr. 1903-1997 The Neighborhood Signed "Quincy" l.l. Oil on canvas 24 x 25 1/4 in. 61.0 x 64.1 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with or without a black light

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Jean Kevorkian

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Description: Jean Kevorkian Fr. b. 1933 V?theuil Signed "Kevorkian" l.l.; titled signed, and dated "V?theuil, Jean Kevorkian, 29 Juin 1986" verso Oil on canvas 24 x 32 in. 61.0 x 81.3 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with or without a black light

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Jean Kevorkian

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Description: Jean Kevorkian Fr. b. 1933 Kremlin Bicihe, La Rue de General Leclerc Signed "Kevorkian" l.r. Oil on canvas 13 x 16 in. 33.0 x 40.6 cm

Condition Report: Good condition, good appearance, no apparent restoration when examined with a black light

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Polish School ca. 1930

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Description: Polish School ca. 1930 Abstract Study I (Bass) Watercolor 9 3/4 x 7 1/2 in. 24.8 x 19.1 cm

Condition Report: Good appearance, good condition, good color,, not examined out of what appears to be its original Newton Macklin frame

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Polish School ca. 1930

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Description: Polish School ca. 1930 Abstract Study II Watercolor 8 3/4 x 7 1/2 in. 22.2 x 19.1 cm

Condition Report: Good appearance, good condition, good color,, not framed

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 Winter, Harbor of Concarneau 1929 Signed, numbered and dated, with artist's stamp "Ch. Fromuth, No.929.CC, 1929" on center panel, l.r. Pastel 27 x 59 3/4 in. 68.6 x 151.8 cm Provenance: Schwarz Fine Art, Philadelphia (label verso)

Condition Report: Good condition, good appearance, no apparent problems

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 A Grey Evening in October, 1901 Signed and dated " Ch. Fromuth, 1901" l.r. Pastel 24 x 18 in. 61.0 x 45.7 cm Provenance: Beacon Hill Fine Art, New York, label verso

Condition Report: Good condition, good appearance, no apparent problems

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 Road to the Cross After the Rain, 1903 Signed and dated "Charles H. Fromuth 1903" l.r. Pastel 36 x 20 in. 91.4 x 50.8 cm Provenance: Schwarz Fine Art, Philadelphia label verso

Condition Report: Good condition, good appearance, no apparent problemsa

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 Sea Rover at Rest, 1900 Signed and dated "Ch. Fromuth 1900" l.c. Pastel 24 x 18 1/8 in. 61.0 x 46.0 cm Provenance: Schwarz Fine Art, Philadelphia label verso Hirschl & Adler Galleries, New York label verso

Condition Report: Good condition, good appearance, no apparent problems

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 A Dock Harmony, Fishing Boats, 1899 Signed and dated "Charles Fromuth 1899" l.r. Pastel 51 1/8 x 38 1/4 in. 129.9 x 97.2 cm Provenance: Louisiana Purchase Exhibition 1904 (label verso with price of $1000 and title "A Dock Harmony" both in script) A. Guinchard, Paris (early label verso) Schwarz Fine Art, Philidelphia (label verso)

Condition Report: Good condition, good appearance, no apparent problems

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 A Changed Harbor in Movement, 1906 Signed and dated "Ch. Fromuth 1906" l.l. Pastel 24 x 18 1/2 in. 61.0 x 47.0 cm

Condition Report: Good condition, good appearance, a very small black spot visible in the clouds and possibly some minor foxing upper right, all of little significance

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 A Veiled September Morning, 1913 Signed and dated "Charles Fromuth Sep-1 1913" l.l. Pastel 18 x 19 3/4 in. 45.7 x 50.2 cm Provenance: Schwarz Fine Art, Philadelphia label verso

Condition Report: Good condition, good appearance, no apparent problems

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Charles Fromuth

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Description: Charles Fromuth Am. 1858-1937 Blue Fishing Nets to a Golden Glow, 1929 Signed and dated " Ch. Fromuth/No. 797-cc 1929" l.l. Pastel 29 1/2 x 18 1/8 in. 74.9 x 46.0 cm Provenance: Schwarz Fine Art, Philadelphia label verso

Condition Report: Good condition, good appearance, no apparent problems

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Paul Plante

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Description: Paul Plante Am. 1943-2016 Lent 1987 Signed "Paul A. Plante" b.r; titled and dated as above l.l. 15 oil pastels (6 x 6 in. each), single frame 6 x 6 in. 15.2 x 15.2 cm

Condition Report: Good condition, good appearance, no apparent restoration

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Paul Plante

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Description: Paul Plante Am. 1943-2016 Untitled Abstract 1964 Signed and dated "P. Plante 1964" l.r. Watercolor 8 x 9 in. 20.3 x 22.9 cm

Condition Report: Good condition, good appearance, no apparent restoration.

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Hunt Slonem

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Description: Hunt Slonem Am. b. 1951 Four Parrots Signed and dated "Hunt Slonem 86" l.r. Watercolor 22 x 30 in. 55.9 x 76.2 cm

Condition Report: Good condition, good appearance, not examined out of frame

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Paul Plante

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Description: Paul Plante Am. 1943-2016 Fourth of July, Red ,White, and Blue, Hatched in the U.S.A. (1997-2000) Titled as above and the kind of each bird is identified in script verso Sixteen pastel images 4 1/2 x 4 1/2 (single frame) 4 1/4 x 4 1/4 in. 10.8 x 10.8 cm

Condition Report: Good condition, good appearance, no apparent restoration.

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Marsden Hartley

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Description: Marsden Hartley Am. 1878-1943 Flowers in a Goblet #3 Signed and dated "Marsden Hartley 1923" l.r. Lithograph 19 3/4 x 13 3/4 in. 50.2 x 34.9 cm

Condition Report: As with probably all the items in this sale consigned from the Father Paul Plante collection to be sold for the benefit of the Portland Diocese, this Hartley lithorgaph has been impeccably matted and framed with archival material including the hinges which are only at the top. The hinges do not touch the front of the paper recto. It shows no damage we could find. It appears to be in mint or very nearly mint condition.

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Robert Laurent

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Description: Robert Laurent Am. 1890-1970 Sleeping Dog Signed and dated "Robert Laurent 1921" l.r. Charcoal 9 x 14 in. sight 22.9 x 35.6 cm sight

Condition Report: Good condition, good appearance, not examined out of frame

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Use your new password to Sign In.
 
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