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Auction Description for Gray's: Fine Art, Decorations & Jewelry
Auction Description:
Gray's Fall auction features fine art, jewelry and decorative art from extraordinary estates, individuals and institutions throughout the US.
Viewing Notes:
Monday-Friday, October 20th-26th: 10am - 5pm; Saturday, October 22nd: 12pm-4pm; Sunday, October 23rd: Closed.

Fine Art, Decorations & Jewelry (414 Lots)

by Gray's Auctioneers


414 lots with images

26 October 2016

Live Auction

Cleveland , OH, USA

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Joshua Monroe (aka Ginger) (20th Century) The Emperor Has No Balls, 2016, Resin cast sculpture on plaster base,

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Description: Joshua Monroe (aka Ginger) (20th Century) The Emperor Has No Balls, 2016, Resin cast sculpture on plaster base, Inscribed 'Ginger 2016' on base. H: 78 1/2 in. Created by the artist Joshua Monroe, placed as Public Art in Coventry Village by American activist collective INDECLINE, confiscated by Cleveland Heights Police 24 minutes after being placed. The sculpture was claimed by the artist, Joshua -Ginger- Monroe, who traveled to Cleveland to personally liberate the sculpture from the Cleveland Heights Police Department on September 16, 2016. Donated by the artist to Heights Arts & Coventry Village Special Improvement District to benefit Public Art funding. Proceeds from the sale will benefit public art funding in the Coventry Village Special Improvement District (the neighborhood where the sculpture was placed by American activist collective, INDECLINE), city-wide public art projects to be developed by community arts nonprofit Heights Arts, and artist Joshua Monroe, who created the pieces pro-bono.

Condition Report: Surface scratches and losses of pigment in areas to left hand middle finger, buttocks and elbow. Pigment loss to base. Missing testicles.

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buttcoffin (b. 1988) A Tire Fire (Election 2016), Acrylic on canvas,

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Description: buttcoffin (b. 1988) A Tire Fire (Election 2016), Acrylic on canvas, Signed and dated on verso. Buttcoffin draws sad and nervous demons crying and dying.  They embrace and add humor to the ugliness of human nature and the pointlessness of life. They are a culmination of an over-saturation of heavy metal music and cartoons throughout his life.   Buttcoffin exhibits his work on Tumblr and Instagram where he has close to 7,000 followers. He has shown at Aqua Art Miami and Art Palm Beach as well as numerous galleries throughout Ohio. H: 60 W: 48 in. A portion of the proceeds to benefit Cleveland Heights Arts Foundation.

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Aaron Krach (b. 1972) Indestructible Artifact #26 (Vase, Hers) and Indestructible Artifact #26 (Vase, His), Vinyl stickers on glass,

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Description: Aaron Krach (b. 1972) Indestructible Artifact #26 (Vase, Hers) and Indestructible Artifact #26 (Vase, His), Vinyl stickers on glass, Signed and dated on base. Edition 1/10. Hers dimensions: h: 16 x w: 6 in. His dimensions: h: 12 x w: 10 in. Aaron Krach is an artist and writer based in NYC. He works with people, books, rocks, text, vodka, and frogs to make books, sculptures, prints, and installations. He exhibits in galleries, book fairs, and public spaces in cities large (Sao Paulo, NYC) and small (Lake Ohrid, Macedonia). More often his work is found in newspapers, email, T-shirts, and on book shelves.His first novel, “Half-Life,” was published by Alyson Books. Recent books include, “Almost Everything (Dark Pools),” 2015, which combines machine-printing and hand-made elements to transform a Mies Van der Rohe catalog (MoMA, 1977) into a shadow of the utopian original. “Richard Prince Cowboy” and “CHRIS” (both 2016) pay homage and attempt to undermine the star system whether in Hollywood or the so-called art world. He is a two-time recipient of a Lower Manhattan Cultural Grant for Public Art. Artist Statement: Branding and propaganda, personality and politics, slogans and slander have all taken over my life this year. Hell, I invited this stuff in. I turn on the news and don’t turn it off. Can I at make it something useful, today, right now? Yes, I think so, by flattening it and making something decorative. But useful too, a vessel to hold something beautiful. They are part of my ongoing series of “Indestructible Artifacts,” which are pieces that should be used in order to fulfill their potential. They’re great on their own, as-is, but get better with use. In this case, they should be filled with water and flowers and used as a vase.

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Ivaylo Gueorgiev (Bulgarian, b. 1976) Fleurs de Mousse, Oil on linen,

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Description: Ivaylo Gueorgiev (Bulgarian, b. 1976) Fleurs de Mousse, Oil on linen, Signed lower right. H: 62 W: 43 in. Purchased by the current owner directly from the artist. Ivaylo Gueorgiev lives and works in NYC. He studied at The School for Applied Arts in Tryavna, Bulgaria and the National Academy of Art in Sofia, Bulgaria. In 2010 he was awarded a fellowship in Painting from the New York Foundation for the Arts. His work has been shown at The Classroom at MoMA PS1 in New York, Deptford X in London and The International Festival of Art on Billboard in Poland. He has exhibited with several galleries including Invisible Exports, Envoy Enterprises, Nicholas Robinson, 3433 and Allan Nederpelt.

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Breyer P-Orridge (LJB, B. 1969, New York, GPO, b. 1950, Manchester) Snoflakes DNA (Clouds), 2008, C-print mounted on plexiglas,

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Description: Breyer P-Orridge (LJB, B. 1969, New York, GPO, b. 1950, Manchester) Snoflakes DNA (Clouds), 2008, C-print mounted on plexiglas, Signed on verso and numbered AP. H: 30 W: 38 in. Collaborative Works, Mason Gross Galleries, Rutgers University, New Brunswick NJ, 2008; Transeuphoria, Umbrella Arts, New York, 2010; Life as a Cheap Suitcase (Pandrogreny & a search for unified identity), Summerhall, Edinburgh UK, 2014; William S. Burroughs, Can You Hear Me? October Gallery, 2014; Chercher le garcon, MAC/VAL, Musée d'art contemporain du Val-de-Marne, Paris, France, 2015.

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Shirley Aley Campbell (b. 1925) Red Dancer, Oil on masonite,

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Description: Shirley Aley Campbell (b. 1925) Red Dancer, Oil on masonite, Signed lower right. H: 43 W: 61 in. Exhibited in the 1967 Cleveland Museum of Art May Show.

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Thomas E. Gordon (20th Century) Untitled, Oil on canvas,

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Description: Thomas E. Gordon (20th Century) Untitled, Oil on canvas, Unsigned. H: 38 W: 84 in.

Condition Report: Water staining to painted surface.

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Boardman Robinson (1876-1952) Illustration for 'Leaves of Grass', Portrait of a Nude, Oil on masonite,

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Description: Boardman Robinson (1876-1952) Illustration for 'Leaves of Grass', Portrait of a Nude, Oil on masonite, Unsigned. Framed dimensions: h: 22 3/8 x w: 18 3/8 in. H: 16 1/4 W: 12 in.

Condition Report: Areas of pigment loss.

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Jamie Makinde (b. 1959) Figural Abstract, Ink on paper,

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Description: Jamie Makinde (b. 1959) Figural Abstract, Ink on paper, Signed and dated MCMXLV lower right. Framed dimensions: h: 19 x w: 24 1/2 in. H: 13 3/4 W: 19 3/4 in.

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Marco De Marco (1918-2015) Fire Bomb, Oil on board,

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Description: Marco De Marco (1918-2015) Fire Bomb, Oil on board, Signed and titled on verso. H: 54 W: 28 1/4 in.

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Peter Paul Dubaniewicz (1913-ca. 2003) In Port, Oil on board,

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Description: Peter Paul Dubaniewicz (1913-ca. 2003) In Port, Oil on board, Signed lower left, titled and signed on verso. Framed dimensions: h: 19 1/2 x w: 15 1/2 in.

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Friedhelm Lach (German, 20th Century) Ammonite Town, 1988, Painted paper and monotype,

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Description: Friedhelm Lach (German, 20th Century) Ammonite Town, 1988, Painted paper and monotype, Signed and dated '88 lower right. Framed dimensions: h: 28 1/4 x w: 29 1/8 in. H: 20 1/2 W: 29 in.

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Linda Butler (b. 1947) Yangtze Overlook, Xiling Gorge, 2000, Silver gelatin print,

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Description: Linda Butler (b. 1947) Yangtze Overlook, Xiling Gorge, 2000, Silver gelatin print, Signed and numbered 4/15 lower right. Framed dimensions: h: 40 x w: 48 in. H: 30 W: 40 in.

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Laurie Simmons (b. 1949) Tourism:  Bikini Atol, 1984, Cibachrome print on Kodak paper,

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Description: Laurie Simmons (b. 1949) Tourism: Bikini Atol, 1984, Cibachrome print on Kodak paper, Signed and dated '84 lower right, numbered 14/50 lower left. Sheet dimensions: h: 20 x w: 15 7/8 in. H: 11 1/8 W: 8 3/8 in. From the collection of Bill Radawec (1952-2011).

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Tim Rollins and K.O.S. (Kids of Survival) (20th/21st Century) By Any Means Necessary,  Screenprint on a page from the autobiography of Malcolm X,

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Description: Tim Rollins and K.O.S. (Kids of Survival) (20th/21st Century) By Any Means Necessary, Screenprint on a page from the autobiography of Malcolm X, Numbered 12/100, initialed and dated 1986 lower right. Sheet dimensions: h: 14 1/4 x w: 18 1/4 in. H: 4 1/8 W: 6 3/4 in. From the collection of Bill Radawec (1952-2011).

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Lyonel Feininger (American, 1871-1956) Fishing Boats (Prasse W245), 1971, Woodcut,

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Description: Lyonel Feininger (American, 1871-1956) Fishing Boats (Prasse W245), 1971, Woodcut, Posthumous printing in an edition of 252 in 1971. Publication number 49, The Print Club of Cleveland. Framed dimensions: h: 19 1/4 x w: 21 1/4 in. H: 12 3/8 W: 14 3/4 in.

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Jean-Pierre Vasarely (Yvaral) (1934-2002) Untitled, Silkscreen,

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Description: Jean-Pierre Vasarely (Yvaral) (1934-2002) Untitled, Silkscreen, Signed lower right and numbered 56/200. Framed dimensions: h: 39 1/2 x w: 30 1/2 in. H: 25 W: 25 in.

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Salvador Dali (1904-1989) Obsession of the Heart, 1976, Lithograph,

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Description: Salvador Dali (1904-1989) Obsession of the Heart, 1976, Lithograph, Signed lower right and numbered EA lower left. Framed dimensions: h: 32 x w: 32 in. H: 29 7/8 W: 21 1/4 in.

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Salvador Dali (1904-1989) Fleurs Surrealist: Gala's Bouquet and The Vanishing Face, Color lithographs,

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Description: Salvador Dali (1904-1989) Fleurs Surrealist: Gala's Bouquet and The Vanishing Face, Color lithographs, Both signed lower right and numbered I 253/350 lower left in pencil. Together with a sale exhibition poster. Framed dimensions: h: 34 3/4 x w: 28 in. H: 22 1/2 W: 18 in.

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Pablo Picasso (1881-1973) Peintre et Modele qui se Cache le Visage, Etching on wove BFK Rives paper,

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Description: Pablo Picasso (1881-1973) Peintre et Modele qui se Cache le Visage, Etching on wove BFK Rives paper, Dated 19 September 1968 I in plate, signed in pencil lower right and numbered 11/50. With full margins and a deckled right edge. Published by Galerie Louise Leiris, Paris. With Certificate of Authenticity. Sheet dimensions: h: 13 x w: 16 1/8 in. Framed dimensions: h: 26 1/2 x w: 30 1/2 in. H: 8 1/4 W: 10 1/2 in.

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Sam Gilliam (American, b. 1933) Flowers #2, 1989, Collage, woodblock printing, painting, encaustic on handmade paper, marble constructions in wood frames,

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Description: Sam Gilliam (American, b. 1933) Flowers #2, 1989, Collage, woodblock printing, painting, encaustic on handmade paper, marble constructions in wood frames, Signed and dated on verso, edition 2/20. From the Tulip Series, a joint venture between enterprise and off-jones prints, Sam Gilliam Bill Weege. H: 36 W: 36 D: 6 in.

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Richard Tuttle (b. 1941) Open Carefully, 2000, Plastic container, paint, painted stones, paper and ink,

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Description: Richard Tuttle (b. 1941) Open Carefully, 2000, Plastic container, paint, painted stones, paper and ink, Signed and numbered 968/1000. H: 9 1/4 W: 5 1/2 D: 2 in. From the collection of Bill Radawec (1952-2011).

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Peter Nagy (b. 1959) The 8 Hour Day/Passeisme, 1983, Two laminated Xerox prints.

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Description: Peter Nagy (b. 1959) The 8 Hour Day/Passeisme, 1983, Two laminated Xerox prints. Together with 'Order of Facts,' 1989, published by Achim Kubinski Stuttgart. Largest dimensions: h: 11 x w: 8 1/2 in. From the collection of Bill Radawec (1952-2011).

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Lucas Reiner (b. 1960) Rainbow, Reverse acrylic on mylar,

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Description: Lucas Reiner (b. 1960) Rainbow, Reverse acrylic on mylar, Unsigned. H: 7 W: 8 1/2 in. From the collection of Bill Radawec (1952-2011).

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Lucas Reiner (Los Angeles, b. 1960) Little Painting #19,  Ink, gesso on paper mounted on wood,

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Description: Lucas Reiner (Los Angeles, b. 1960) Little Painting #19, Ink, gesso on paper mounted on wood, Signed, titled and dated '94 on verso Together with an untitled etching on wove paper, signed and dated '08 lower right, numbered AP 3/19. Dimensions: h: 4 1/2 x w: 4 1/2 in. Also includes three autographed exhibition catalogs. H: 5 W: 5 in. From the collection of Bill Radawec (1952-2011).

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Robert Cottingham (American, b. 1935) Rolling Stock Series 42, 1993, Lithograph,

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Description: Robert Cottingham (American, b. 1935) Rolling Stock Series 42, 1993, Lithograph, Signed and dated lower right, titled and numbered 25/50 lower left. Framed dimensions: h: 29 1/8 x w: 24 1/8 in. H: 26 1/4 W: 21 1/4 in.

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Jeremy Kidd (20th/21st Century) Hetical, Mixed media on fabric mounted on board,

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Description: Jeremy Kidd (20th/21st Century) Hetical, Mixed media on fabric mounted on board, Signed, dated 6/94 and titled on verso. H: 11 W: 10 5/8 in. From the collection of Bill Radawec (1952-2011).

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Gerald Giamportone (20th/21st Century) Column, Pencil on paper,

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Description: Gerald Giamportone (20th/21st Century) Column, Pencil on paper, Signed and dated '94 on verso. H: 8 1/2 W: 8 1/2 in. From the collection of Bill Radawec (1952-2011).

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Charles Bon (aka Charles Labelle) (b. 1964) Sacre Coeur, 1992, Conte, crayon and pastel on paper,

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Description: Charles Bon (aka Charles Labelle) (b. 1964) Sacre Coeur, 1992, Conte, crayon and pastel on paper, Signed lower right. Signed, titled and dated on verso. From 7 Paris Monuments-New York Correspondent, 1992. H: 8 W: 10 1/2 in. From the collection of Bill Radawec (1952-2011).

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Kirsi Mikkola (b. 1959) Untitled, 1995, Ink, colored pencil and painted plaster,

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Description: Kirsi Mikkola (b. 1959) Untitled, 1995, Ink, colored pencil and painted plaster, Signed and dated '95 lower right. Plaster shoe dimensions: h: 2 3/4 x w: 4 1/4 x d: 2 1/2 in. From the collection of Bill Radawec (1952-2011).

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William Radawec (1952-2011) Two Artworks from the 'Mob Series', One vinyl lettering on wood and one vinyl lettering on paper,

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Description: William Radawec (1952-2011) Two Artworks from the 'Mob Series', One vinyl lettering on wood and one vinyl lettering on paper, One initialed and dated 2009 on verso. Largest dimensions: h: 20 1/4 x w: 20 1/8 in. From the collection of Bill Radawec (1952-2011).

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William Radawec (1952-2011) Four Artworks from the 'Soul Patch (the Sequel)' Series, Color pencil on paper mounted on wood,

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Description: William Radawec (1952-2011) Four Artworks from the 'Soul Patch (the Sequel)' Series, Color pencil on paper mounted on wood, One initialed and dated 2001 on verso and one initialed and dated '95 on verso. Together with two digital reproductions, the smaller print initialed, dated 98-05 and numbered 1/100 on verso. Largest dimensions: h: 12 1/4 x w: 12 1/4 in. From the collection of Bill Radawec (1952-2011).

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William Radawec (1952-2011) Five Artworks from the 'Crack Up' Series, Latex enamel Navajo white paint, color pencil, pencil and correction ink on paper,

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Description: William Radawec (1952-2011) Five Artworks from the 'Crack Up' Series, Latex enamel Navajo white paint, color pencil, pencil and correction ink on paper, One initialed and dated '00 on verso and one initialed on verso. Largest dimensions: h: 21 1/8 x w: 14 7/8 in. From the collection of Bill Radawec (1952-2011).

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William Radawec (1952-2011) Solitary Delusion, Latex on canvas,

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Description: William Radawec (1952-2011) Solitary Delusion, Latex on canvas, Both titled on verso. Panel dimensions: h: 36 x w: 24 in. H: 72 W: 24 in. From the collection of Bill Radawec (1952-2011).

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William Radawec (1952-2011) Tinsel Town Gallery, Latex on canvas,

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Description: William Radawec (1952-2011) Tinsel Town Gallery, Latex on canvas, Both titled on verso. Panel dimensions: h: 36 x w: 24 in. H: 72 W: 24 in. From the collection of Bill Radawec (1952-2011).

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William Radawec (1952-2011) Appalachian Birdsong, Latex on canvas,

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Description: William Radawec (1952-2011) Appalachian Birdsong, Latex on canvas, Both titled on verso. Panel dimensions: h: 36 x w: 24 in. H: 72 W: 24 in. From the collection of Bill Radawec (1952-2011).

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William Radawec (1952-2011) Seven Artworks from the 'Walking Stick' Series, Color pencil and wood on paper.

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Description: William Radawec (1952-2011) Seven Artworks from the 'Walking Stick' Series, Color pencil and wood on paper. Including: 'Small Evergreen, 1,' initialed and dated '99 on verso; 'Small Evergreen, 2,' initialed and dated '99 on verso; 'The Sequel, #21, 2000,' initialed and dated on verso; and 'The Sequel, #19, 1999,' initialed and dated on verso. With three incomplete works, one initialed and dated '99. Largest dimensions: h: 30 x w: 5 1/4 in. From the collection of Bill Radawec (1952-2011).

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Thompson Lehnert (b. 1931) Pieta, Polymer on canvas,

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Description: Thompson Lehnert (b. 1931) Pieta, Polymer on canvas, Signed lower left. H: 47 W: 55 in.

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Liber Fridman (1910-2003) Untitled, Mixed media on canvas,

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Description: Liber Fridman (1910-2003) Untitled, Mixed media on canvas, Signed upper right. H: 31 W: 25 in.

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James Erwin Boren (1921-1990) Boss of the Black Mesa Country, Watercolor and gouache on paper,

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Description: James Erwin Boren (1921-1990) Boss of the Black Mesa Country, Watercolor and gouache on paper, Signed lower left. Framed dimensions: h: 32 x w: 25 in. H: 21 1/4 W: 14 1/8 in.

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Sterling Boyd Strauser (1907-1995) Floral Still Life, Oil on masonite,

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Description: Sterling Boyd Strauser (1907-1995) Floral Still Life, Oil on masonite, Signed and dated '69 lower left. Framed dimensions: h: 27 1/2 x w: 21 1/2 in. H: 24 1/8 W: 17 7/8 in.

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Elizabeth Hamilton Huntington (1878-1963) Still Life Bouquet, Pastel on paper,

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Description: Elizabeth Hamilton Huntington (1878-1963) Still Life Bouquet, Pastel on paper, Signed lower right. Framed dimensions: h: 35 1/2 x w: 29 1/2 in.

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Nanci Blair Closson (b. 1943) Untitled, Mixed media on canvas,

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Description: Nanci Blair Closson (b. 1943) Untitled, Mixed media on canvas, Signed lower right. H: 29 3/4 W: 21 3/4 in.

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Marco De Marco (1918-2015) Landscape, Oil on canvas,

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Description: Marco De Marco (1918-2015) Landscape, Oil on canvas, Unsigned. H: 40 W: 50 in.

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Marco De Marco (1918-2015) A Group of Four Landscapes, Oil on canvas,

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Description: Marco De Marco (1918-2015) A Group of Four Landscapes, Oil on canvas, Unsigned. Largest dimensions: h: 24 x w: 20 in.

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Marco De Marco (1918-2015) A Group of Three Landscapes, Oil on canvas,

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Description: Marco De Marco (1918-2015) A Group of Three Landscapes, Oil on canvas, Unsigned. Largest dimensions: h: 24 x w: 18 in.

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Marco De Marco (1918-2015) A Group of Three Studies of Birds, Oil on canvas,

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Description: Marco De Marco (1918-2015) A Group of Three Studies of Birds, Oil on canvas, Unsigned. Largest dimensions: h: 20 x w: 24 in.

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Marco De Marco (1918-2015) A Group of Three Landscape Studies, Oil on canvas,

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Description: Marco De Marco (1918-2015) A Group of Three Landscape Studies, Oil on canvas, Unsigned. Largest dimensions: h: 28 x w: 30 in.

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Marco De Marco (1918-2015) A Group of Three Landscape Studies, Oil on canvas,

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Description: Marco De Marco (1918-2015) A Group of Three Landscape Studies, Oil on canvas, Unsigned. Largest dimensions: h: 19 3/4 x w: 30 in.

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Marco De Marco (1918-2015) A Group of Eleven Studies Depicting Wilma de Marco, Oil on canvas, one on board,

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Description: Marco De Marco (1918-2015) A Group of Eleven Studies Depicting Wilma de Marco, Oil on canvas, one on board, Unsigned. Largest dimensions: h: 24 1/2 x w: 24 in.

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